I’ve been working on a musical collaboration with a fellow musician friend of mine during these crazy coronavirus times, in hopes of generating something fun and creative while we have all this spare time not working or gigging. Here's the second song from that collaboration.
I’ve been working on a musical collaboration with a fellow musician friend of mine during these crazy coronavirus times, in hopes of generating something fun and creative while we have all this spare time not working or gigging. Here's the first song from that collaboration. [more inside]
A stab at epic, guitar-based pop by our band Sredni Vashtar, with a (very unauthorised) guest appearance from Winona Ryder in the middle eight. [more inside]
Short, sweet, sappy love song. [more inside]
A simple pop song for synth, drum machine and vocoder. Featuring another cheeky sequence from the Prophet-6! [more inside]
vocodin' [more inside]
E-40 + Kamaiyah + MJ
"Glianimon" is a lofi pop song, arranged here for guitar and clarinet. [more inside]
Inspired by a clickbait headline, an ode to deleting my social media accounts. [more inside]
After co-writing and producing an album for a friend this year I decided, what the hell, Trump is President and we're all gonna die, may as well get over my fear of singing and write a solo album. This is the first compositon that gelled from that effort and made it onto the final album (which album can be heard on Bandcamp here). Recorded entirely in my spare bedroom, using Logic, Ableton, various iOS music apps, and my own human body.
A quick, old tune
This is my take on a song by one of the hosts of [dopey podcast](http://dopeypodcast.com), the one they close out every episode with. Came out kinda like a ska tune somehow. Got my daughters doing a little background vox.
A (very) quick upbeat pop song featuring my baritone acoustic guitar and heaps of songwriting cliches. [more inside]
"Something inside me's changed—I was so much younger yesterday." I learned and recorded this cover of Hailee Steinfeld's "Starving" in a half hour one afternoon last month. [more inside]
An upbeat ditty about falling in love, blah blah blah. Cobbled together during my currently-on-hiatus 52 weeks project. Inspired by Holiday-era Magnetic Fields. [more inside]
So this is another song, audio is taken directly from the youtube video here. This is a live performance, did a session in the lighting hire and install company I work for over the weekend. This video forms part of a competition entry for our band. [more inside]
Something fairly new. This is two of us playing live, me on bass and singing, and synth and drum machine from Magnus. [more inside]
Triste! Onwards to 2017...
It's about the prez-elect, had to make a quick mumble-rap-hop / norah-jones-ish / slow jam thing about it to keep my head up
I needed this challenge to get away from the song I've been slowwwwly working on otherwise. I recorded some of it last year, but heavily edited and added onto it last night, and then trimmed it down to a slim fifty-seven seconds. Song 14 in my Unu Kanto Po Semajno series.
My good friend and music senpai Jeremy Blake wrote and recorded a song called "My Heart as Your Home" that I immediately fell in love with. I recently got a chance to record a cover of it with my younger brother. He played ukelele and sang the lead; I did all the arrangement, production, and backup vocals. I think it turned out really nicely. [more inside]
My son asked me to record his heartbeat for some school thing a few months ago. I had this heartbeat lying around so I added some Moog to it and Bob's your uncle it became a synthpop song.
I play bass in this power-pop-rock band called Buzzie. Song written by John McElhenney with minimal arrangement contributions by the rest of us. [more inside]
So I took my Jazzmaster to Lefkas, and this was the result. [more inside]
Song #6 in my less-and-less-aptly-named Unu Kanto Po Semajno series. Kinda poppy and abstract... you know those old Beach & Surf movies of the late 1950's, early 1960's -- the kind starring Annette Funicello and Frankie Avalon? Or like, Sally Field in Gidget? This is the kinda music I'd wanna dub over the original score.
Just as the seasons can see a categorical change in all the features embodied in this one unifying phenomenon we call 'the weather', so too can a song be totally turned on its head from the original version, doing a near about-face.... that is what happened to this track in this remix by Malcolm Holmes, famous for his participation in legendary synthpop group Orchestral Manoeuvres in the Dark (OMD). [more inside]
My new Abba meets Ace Of Base (?) sad-in-a-nightclub song.
A quick little pop song about the early days of falling in love. [more inside]
Two of my favourite bands in the world are Stereolab and Cocteau Twins and another band whose music I find greatly inspiring is Pink Floyd. This song is a pure project of this triangular love for these three bands. Enjoy!
Final mix. My on & off again pop Combo, Buzzie. I posted the live rough from the session back in Feb, and "we" finally got it done. [more inside]
New recording of an old song with the following Garageband synths: "hip hop kit", "pop flute" and "shimmering harpsichord" (IIRC). Song about good friends who have, by now, all moved away. I'd love any thoughts on this. [more inside]
There's a saying that aging is like sailing into an asteroid field, where the asteroids get thicker and thicker until one hits you. This is a song about that. One take everything. Video.
My friends and I have been playing together for a few years, we get a couple shows each year here in minneapolis. We recorded a few of the new songs, this one is a straight ahead pop song
Original Power Pop from Austin. Buzzie is an old band name, but with new membership. The current lineup spent 4 hours in the garage cutting demos 2 weeks ago - this is a rough mix of the live tracks. [more inside]
Where does one genre begin and another one stop? I'm asking myself the very same question every time I hear that this song is indie or pop rock or folk rock or dream pop. Well, whatever one calls it, I hope you enjoy this. [more inside]
Two minutes about my paralyzing self-consciousness about working on my music in the presence of other people. [more inside]
A mix of cultures often results in something beautiful - interesting art, world views, beautiful babies and intriguing music. And you don't have to be from either of those cultures to appreciate how wonderful this can be. This song represents a melange of two cultural infusions - from Canada and Ukraine. This is Ummagma. Enjoy. [more inside]
There were originally 23 metaphors but it was 8 too many. [more inside]
Jessamyn asked me to cover this song a long time ago, and I set about it at a snails pace. It's finally done! (Sorry it took so long, darlin.) It started out in my mind as, "What if New Order or the Cure covered it?", and it turned out sounding like me covering it. I worked more over the past month to make sure it sounded the way I wanted it to, and I learned a lot about Garageband along the way. I'm kinda proud of it. And I'm glad it's over. [more inside]
I can't believe you've done this. Electro-dance-pop. [more inside]
International ARPort: arpeggiating synths, warm pads, slow dubby drums
In honor of tomorrow's blu-ray release, I recorded a new take on the classic Lynch/Badalamenti theme, "Falling," from Twin Peaks. [more inside]
We once used to wonder what it would sound like to whip up a healthy feisty mix of dream pop and hip hop - rap and now, thanks to this tasty earbite, we have an idea. Definitely taking a walk on the dark side, underlined by both the music and vocals, this is still definitely worth the listen.
This has been the worst winter in 20 years where I am. It's still snowing horizontally as I speak. So I wrote a summer song as a big middle finger to the damn cold. [more inside]
A song from my album that I've just released through Tunecore. If you like it there's more listen links at my site www.groklock.com. Let me know what you think!
Written because I am finally starting to get back into recording stuff, and I needed to give myself a simple project to stretch my muscles. So I told myself to write a Stereolab song circa 1994. I haven't listened to Stereolab for few years. Now That I've recorded this, I'm gonna go back and listen to them.
This is one Ummagma track that has been totally turned on it's head, taking what was a dreampop folkrock-ish track and utterly transforming it into an whirling electro-dance track with traces of vocals from Shauna McLarnon. [more inside]
Pretty much finished version of this sketch I posted previously. Our drummer is going to put live drums in but we're still trying to figure it out... other than that it's mostly done. Sort of sits in a strange space between studio one, funky soul and white boy reggae circa 1977.