Sometimes a song's strength lies in its lyrics or in the nuances of the vocalist's delivery and tembre… Sometimes the instrumentation speaks volumes all on its own. This is one of those times… This is Ummagma. [more inside]
This is one of the better (at least one of the favourite) Ummagma tracks out there to date and currently the subject of a whack of forthcoming remixes. Stay tuned! [more inside]
Love generates love generates love. Beautiful Moment seems to capture an element worthy of such progeneration. Harmony, peace, smooth dreaming and a swirl of energy-filled ethereal waves. [more inside]
Eastern Europe has long been known as a mysterious place when it comes to music, spanning multiple genres, including music with a particular ethno-folk component. This is one of those songs. Well done Ummagma. [more inside]
I love it when one talented artist can take the work of another talented artist, creatively metabolize it, and then craft output that is impressive in it's own right. This remix takes a quirky electro approach to Ummagma's track 'Lama'. Hope you enjoy it. [more inside]
Actors are always celebrated for their chameleonic ability to change characters and roles. Ummagma possesses this quality, among a small number of shape-shifting bands currently out there. This song is very different from anything else created by Ummagma. Hope you enjoy this. [more inside]
Ethereal wave is what they call this genre, but you can definitely sense elements of early 4AD-era postpunk, darkwave, shoegaze and postpunk here. The mood is a bit heavier and there is an outpouring of philosophy, moral and emotional reaction. Enjoy! [more inside]
There is such a thing as light-imbued melancholy. This song shows that @Ummagma is among a cozy handful of bands nowadays who seem to thrive on achieving that combination. You can find Ummagma here too. [more inside]
This track makes it a lot easier to imagine how the classical work of J.S. Bach could be meshed into a dreampop track, something that is rarely seen or at least, that is rarely pulled off well (The Verve and The Farm come to mind as other successful cases of this happening). [more inside]
Perhaps the most Cocteau Twins' inspired song by Ummagma to date, this song also features a strong pulse-driven effect inspired by Pink Floyd. Need I say more?
The lyrics to this Ummagma song seem very timely considering what is happening in the world these days, with a bed of music that drums up intensity. You might particularly enjoy the ending.
I once herd the term "sound track for angels" and having Lisa Von H on vocals has certainly brought a sound track to reality!
This is one Ummagma track that has been totally turned on it's head, taking what was a dreampop folkrock-ish track and utterly transforming it into an whirling electro-dance track with traces of vocals from Shauna McLarnon. One slight change from the previous version. [more inside]
This is one Ummagma track that has been totally turned on it's head, taking what was a dreampop folkrock-ish track and utterly transforming it into an whirling electro-dance track with traces of vocals from Shauna McLarnon. [more inside]
If you ever thought that there was no place for a little drum n' bass in the world of shoegaze and dreampop, hopefully this song will prove you wrong :) Somewhat of a feel like Stereolab, Broadcast and Lush rolled into one. [more inside]
The pulsing drive of this tune unquestionably has a swaying effect and, taken together with this song's layers and subtleties seems to make all the difference. Sway sway sway!!! [more inside]
This is perhaps one of Ummagma's darker moments, but as the song proceeds, it lets more and more light in. There is a moral to this story, like it or not, but the soundtrack to go with it makes it that much easier to swallow. :) [more inside]
Imagine a carefree diva singing in a non-chalent way as she looks out the window of the passenger side during a road trip. The soundtrack to her ride is based on an indie rock slide-guitar laced tune, which builds in intensity throughout the ride until bang - confusion and collision. That is this Ummagma song in a nutshell, message and all. [more inside]
Smooth dreaming and a swirl of energy-filled ethereal waves take the listener on a flight or sailing trip of sorts. The lo-fi nearly Billy Bragg element of this lo-fi output gets a bit velvety with vocals from Alexx Kretov and blissed out with all this chorus and reverb and that is exactly what was intended with this track. Enjoy!
Peter Gabriel meets Daniel Lanois and Chicane. Here in this song, I'd say that Ummagma comes closest to having a Peter Gabriel moment. Somewhere in between his Sledgehammer and Passion phase. Fortunately, the other elements making this track unique kick into play and it's hard to put your finger on anything else. So just listen instead...
The smooth fusion of dream pop and shoegaze is always something I welcome and a goal that is always in sight in the case of this song by Sounds of Sputnik - perhaps this is what is meant by the term nugaze - somewhat of a reshaping of the heavier dirtier shoegaze sounds dating back to the early 1990s a la My Bloody Valentine and Medicine. This reminds of of some of Kevin Shields' lighter work that he's done for various soundtracks. How do you see it?
Space rock is a term that is often over-used for various psychrock tunes, but it is dead on for this track from Sounds of Sputnik. Or space post-rock or even space post-rock shoegaze. Looking forward to your take on that.
Whispy male vocals and plenty of air for dream-weaving delicately frame this ethereal song. While "Photographer" is one of Ummagma's more melancholy songs, it's far from depressing. This one stands in the light. Features male vocals by Alexx Kretov (Ukraine).
While the term space rock is kicked around quite often these days, there is something else out there: space pop. This song epitomizes that term, as reflected in the title itself. Poppy, spacey and ethereal trip to the cosmos. [more inside]
"Titry" translates into English as "credits", as in for a film. It was inspired by the idea that this would make a great intro or outro song for the listing of film credits, whether or not we actually decided to pitch the song for that purpose. Maybe we will one day :)
Inspired by the great man himself - J.S. Bach - this song presents a modern interpretation, stemming into interpretation, of this great piece. By Ummagma [more inside]
Sometimes various musical genres blend together to create something fresh and brilliant - the old with the new, analogue with digital, with styles and sounds intermeshing to create a new fabric. That is what we were after with this song, which has got to be the Ummagma song that leans most towards folk-rock. A little hiatus from dreampop. [more inside]
A little Mezzanine-era Massive Attack and Stereo MCs blend with something more ethereal - throw in both male and female vocals… and then some more depth that is indescribable in words. So says me. :) Titled "Upsurd" because a little absurdity can also have an upwards drive to it. Right?
The ethereal with the ethical and ironic - that sums this sum up at the superficial plane, but there is so much more depth to this Ummagma track. Definitely one of the more Cocteau Twins inspired deliveries, this song is laced with a pulsation more rooted in Pink Floyd. Another track in the style of early 4AD. Whirrrrrllll.. [more inside]
For some of the best things in life, intensity builds as anticipation kicks in. That is what this Ummagma track is for me - with layer on layer, building a sort of icicle/sand castle that never melts or washes away. It just builds and then takes flight. I hope you will feel the same. Of course, there is that The Smiths thing happening - happy music, depressing lyrics. Rightly so. Spot on - have a read. [more inside]
The rustling of leaves, the sweetness of birdsong and the movement of blood within your body… all of these have conspired to influence the creation of this song. Hope you gather something natural from this.
Reminiscent of the Peter Gabriel and Deep Forest contribution to the film "Strange Days", this Ummagma track offers an eclectic earful of modernity meets tradition, complete with Carpathian whistle and balanced out with successive male and female vocals. [more inside]
A while back, Ian Baird (A*Star, Spring Clock Wonder) did an awesome remix of Telling You (T.Y. Ian Baird Remix) by SPC ECO, Dean Garcia's main musical project since leaving Curve. Fortunately, he would eventually remix our song "Lama" by our duo Ummagma. Hope you enjoy this upbeat track.
This remix of the track "Lama" does not outright flip the original version on its head, though it does dress it in a murkier shade of darkgaze (darkwave). The bright dreamy element from the original version spills over into this version too, so as to not detract from the original point of this song in the first place. I hope you enjoy it. Your feedback is most welcome.
Somewhat reminiscent of Sonic Youth's cover of the Carpenters' "Superstar", this song still seems to have a unique quality all of its own. When we recorded this Ummagma track, we didn't know about that cover but since then, this has been the feedback received and we also feel a similarity there too. What do you think? I'm also posting the lyrics here. [more inside]
Indietronic ethno-ethereal fusion is how I would describe this Ummagma track, which is the first Ummagma song you've heard here with male vocals. I feel like this tune has a strong gypsy fusion lifeline running to it from some mysteriously brilliant source, call it what you will. :) Once again, any feedback is appreciated. We've also ventured into indietronic a little here.
A love for the golden 4AD era, Pink Floyd and the likes of David Sylvian have all been woven into the thread of this music. "Lama" was both inspired by these bands and reflects their contribution to a new generation of musicmakers. Looking forward, but knowing where our roots lie… I sincerely hope you will all enjoy this Ummagma track. [more inside]
It's funny how sometimes it takes all but a few minutes to write a song, while the development of another song can really stretch out. This was one of those stretches - "Risky" was a song that was written "in chunks" - the basic instrumental bit was written in Kyiv, Ukraine before a big move to western Ukraine and then to Canada, where the rest was written & recorded before finally being dragged back to Ukraine, where it was properly mixed and mastered. The time span from start to finish: 5 years. All that moving around was us, by the way, not just the tracks bouncing around in cyber space. Thus is the history of this track. I'm posting the lyrics too if anyone wants to have a go at them or "sing along" …. yeah, right… any feedback is welcome. Peace. [more inside]
Close your eyes...it's time for a blend of ethereal/darkwave and dream pop. [more inside]
Dreamy pop music for the Velvet Underground Challenge [more inside]
We're living in a gilded cage in the gilded age: watching shadows dancing on the wall and rattling our chains so we feel like something's happening when we haven't really done a thing and so we never have to think too long about the mess we've made. Ain't it strange the sun don't shine here? I can't see any source of natural light. There isn't any way to tell the time here. So no one really knows when we arrived... [more inside]
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