Impossible Bookings is a collaboration I kinda sorta foisted upon cicadaverse, who initially posted the instrumental version of this track 6 months ago. I put words to what he'd created, we each reworked what we had into shorter form, he remixed my vocals and added to the instrumentation...then life happened to us both. We caught up recently after a few months off, remastered it, and called it good. [more inside]
the latest experiment in creativity...
Not a cover of the Faith No More song. Oh no. [more inside]
Instrumental w/guitar solo Feat. Sam Ferguson - drums
Space has long been a stimulator for creative outlet in nearly every sphere of human activity, music being no exception. In this track, it is clearly front and centre, whether it for you brings an association with the cosmos or you internal realm. Happy listening.
Two of my favourite bands in the world are Stereolab and Cocteau Twins and another band whose music I find greatly inspiring is Pink Floyd. This song is a pure project of this triangular love for these three bands. Enjoy!
When Sonic Youth surprised the whole world by pulling off the most amazing cover of a song by The Carpenters ever (I couldn't really fathom listening to any of the originals, to tell the truth), who would've thought what a big impact their version of 'Superstar' would have had. Still to this day, this songs is constantly referenced whenever people speak about Sonic Youth. Here's presenting one track with a similar vibe. 'Back to You' by Ummagma [more inside]
Let's throw in a juxtaposition in sonic terms just for the sake of diversity. Here is a free download of Ummagma 'Titry', alongside one right here for 'Live and Let Die'. The first is an instrumental folky track somewhat like Peter, Bjorn and John's 'Young Folks' crossed with Tortoise (with their more upbeat side of postrock). The second is also upbeat in the best shoegazey dreamy fashion - but with ethereal yet solid vocals... Enjoy both :) [more inside]
Dream dripping floating melting flying… All of these are feelings that might come to mind if you close your eyes while listening to this current track. Somewhere between the mellowest of Pink Floyd and the catchiest bit of Billy Bragg, I hope you'll enjoy Ummagma 'Colors'. [more inside]
This is one of those "let's drift away" songs... hazy gazey spacey and dreamy all in one… If one is prone to daydreaming or aural hypnosis, this may not be the song for you :) Just the same, this is definitely worth a listen to all others. This is Sounds of Sputnik.
We finally got around to re-recording White Light Music Night. The original version is here. [more inside]
Whenever someone writes cross-genre, it always leaves you wondering what flavor their potpourri will take. When you see post-rock and shoegaze together, you might also have an idea of what you'll be hearing, but throw a piano in there, and you've caught everybody off kilter. That's what this song does, but nicely so. [more inside]
If psychedelic space rock can be sparkly, this song would be the epitome of that dynamic.. Or shimmery or glistening or whatever. Glitter is in the eye of the beholder.
song 4 - a strange dream i had inspired this [more inside]
Everybody likes music for partying mode, but what happens afterwards? This song would be the perfect accompaniment for the comedown afterwards (and even the hangover). Chill, centered, reflective, harmonious. I think :) [more inside]
Tastefully blending several genres together, including indie or alternative rock, dreampop, space rock, psychedelia, ambient and shoegaze. Sounds of Sputnik is a project producing a sound that immediately brings several associations to the surface - like dreaming, space, flight, exploration, reflection. Worth a listen whether or not you have or have not traditionally gone in the above-mentioned genres of music. [more inside]
A song by Bummed, a shoegaze-influenced band my friends and I have been working on. I'm on vocals! [more inside]
Sonic Youth has been a big influence on many modern-day bands and Ummagma is definitely one of them, as is evident from one listen to "Back to You". The hazy gazey sounds here build into a kind of intentional dreamscape. [more inside]
When a musician, who has self-recorded and mixed everything (brilliant) he (she) has ever put out, eventually takes to creating a remix, the output can be somewhat spectacular. That is what happened when San Francisco shoegaze darkwave wonderkind Jane Woodman jumped into her very first remix for Ummagma 'Lama'. Hope you enjoy the output.
I think many people are innately inventive and many are even thrifty. When you combine the two elements with a worthy musical piece, it's amazing how many different kinds of incarnations that you can dream up for it, taking on a life of its own, so to speak. But when you start comparing one remix against another, sometimes lines tend to blur and it becomes more challenging to distinguish what has been taken from the original version and what has been newly added. It's at that point that I always end up returning to the original. This 'Lama' is that original track - a point of reference now and especially at the time it was written.
Powerful swirling and driving full sonic force, enveloped in a mishmash of postrock, shoegaze, and noise rock. [more inside]
In the spirit of "Superstar" by legendary art-punk band Sonic Youth (who were covering The Carpenters chart-breaking track), here is 'Back to You'. Sonically similar, but content-wise very different. No superstar imagery from the perspective of a groupie here. Just some self-searching and hopefully grounding elements. [more inside]
Sometimes a song's strength lies in its lyrics or in the nuances of the vocalist's delivery and tembre… Sometimes the instrumentation speaks volumes all on its own. This is one of those times… This is Ummagma. [more inside]
This is one of the better (at least one of the favourite) Ummagma tracks out there to date and currently the subject of a whack of forthcoming remixes. Stay tuned! [more inside]
I love it when one talented artist can take the work of another talented artist, creatively metabolize it, and then craft output that is impressive in it's own right. This remix takes a quirky electro approach to Ummagma's track 'Lama'. Hope you enjoy it. [more inside]
Ethereal wave is what they call this genre, but you can definitely sense elements of early 4AD-era postpunk, darkwave, shoegaze and postpunk here. The mood is a bit heavier and there is an outpouring of philosophy, moral and emotional reaction. Enjoy! [more inside]
Perhaps the most Cocteau Twins' inspired song by Ummagma to date, this song also features a strong pulse-driven effect inspired by Pink Floyd. Need I say more?
I once herd the term "sound track for angels" and having Lisa Von H on vocals has certainly brought a sound track to reality!
Some songs take you on a trip (and bring you back), while others just send you drifting endlessly and blissfully. For us, this song belongs to the latter, building layers of layers of sound and effects - like new galaxies being opened. [more inside]
A mellow, ambient journey that transforms into more of a shoegazer situation. [more inside]
If you ever thought that there was no place for a little drum n' bass in the world of shoegaze and dreampop, hopefully this song will prove you wrong :) Somewhat of a feel like Stereolab, Broadcast and Lush rolled into one. [more inside]
The pulsing drive of this tune unquestionably has a swaying effect and, taken together with this song's layers and subtleties seems to make all the difference. Sway sway sway!!! [more inside]
This is perhaps one of Ummagma's darker moments, but as the song proceeds, it lets more and more light in. There is a moral to this story, like it or not, but the soundtrack to go with it makes it that much easier to swallow. :) [more inside]
If you were to roll up some element of Brian Eno, Robert Fripp and Bill Nelson, and paint it with a slight shoegaze ethereal hue, this might be what you would get… Enjoy this Ummagma track! [more inside]
Imagine a carefree diva singing in a non-chalent way as she looks out the window of the passenger side during a road trip. The soundtrack to her ride is based on an indie rock slide-guitar laced tune, which builds in intensity throughout the ride until bang - confusion and collision. That is this Ummagma song in a nutshell, message and all. [more inside]
This instrumental explores not only ambiences and walls-of-sound seemingly inspired directly by cosmic travels, but also features electronics, samples, drones, and beautifully melodies peppered with a lot of dissonance, creating sonic tapestries perfectly suited for reflecting, reading an Arthur C. Clarke (or Isaac Asimov) book and taking a journey through the stars. This is Sounds of Sputnik.
Smooth dreaming and a swirl of energy-filled ethereal waves take the listener on a flight or sailing trip of sorts. The lo-fi nearly Billy Bragg element of this lo-fi output gets a bit velvety with vocals from Alexx Kretov and blissed out with all this chorus and reverb and that is exactly what was intended with this track. Enjoy!
The smooth fusion of dream pop and shoegaze is always something I welcome and a goal that is always in sight in the case of this song by Sounds of Sputnik - perhaps this is what is meant by the term nugaze - somewhat of a reshaping of the heavier dirtier shoegaze sounds dating back to the early 1990s a la My Bloody Valentine and Medicine. This reminds of of some of Kevin Shields' lighter work that he's done for various soundtracks. How do you see it?
Space rock is a term that is often over-used for various psychrock tunes, but it is dead on for this track from Sounds of Sputnik. Or space post-rock or even space post-rock shoegaze. Looking forward to your take on that.
Whispy male vocals and plenty of air for dream-weaving delicately frame this ethereal song. While "Photographer" is one of Ummagma's more melancholy songs, it's far from depressing. This one stands in the light. Features male vocals by Alexx Kretov (Ukraine).
Post-rock always seems embedded with the sense that something is dire; however, shake it up a bit to get a kind of post-rock indie shoegaze vinaigrette and Sounds of Sputnik is likely what you would come up with. This is Ambiguous Sense of the Future.
Soundscapes are part of the fabric for various genres of music and this song creates one merging several genres, yet is still hard to put your finger on.
Inspired by the great man himself - J.S. Bach - this song presents a modern interpretation, stemming into interpretation, of this great piece. By Ummagma [more inside]
If you can imagine smooth post-rock and psych-rock crossed and infused with a shoegaze element, this is likely what you would hear. Sounds of Sputnik
The ethereal with the ethical and ironic - that sums this sum up at the superficial plane, but there is so much more depth to this Ummagma track. Definitely one of the more Cocteau Twins inspired deliveries, this song is laced with a pulsation more rooted in Pink Floyd. Another track in the style of early 4AD. Whirrrrrllll.. [more inside]
For some of the best things in life, intensity builds as anticipation kicks in. That is what this Ummagma track is for me - with layer on layer, building a sort of icicle/sand castle that never melts or washes away. It just builds and then takes flight. I hope you will feel the same. Of course, there is that The Smiths thing happening - happy music, depressing lyrics. Rightly so. Spot on - have a read. [more inside]
The shoegaze scene is really abuzz this year with so much good music out there, the new MBV album and Medicine's reunion. This song vibes in this same department - it's an instrumental with lots of reverb. What do you think of this track?
A while back, Ian Baird (A*Star, Spring Clock Wonder) did an awesome remix of Telling You (T.Y. Ian Baird Remix) by SPC ECO, Dean Garcia's main musical project since leaving Curve. Fortunately, he would eventually remix our song "Lama" by our duo Ummagma. Hope you enjoy this upbeat track.
This remix of the track "Lama" does not outright flip the original version on its head, though it does dress it in a murkier shade of darkgaze (darkwave). The bright dreamy element from the original version spills over into this version too, so as to not detract from the original point of this song in the first place. I hope you enjoy it. Your feedback is most welcome.
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