Hi there. I'm a writer/screenwriter. This is the first time I've shared my own music. It's electronic and certainly influenced by the likes of Richard H. Kirk, maybe a little Steven Reich. Samples include some famliar figures, plus Jimmy Swaggart shouting about the end times. Enjoy!
The last – and melodically and harmonically my favorite – song on the All Her Angels EP. Guess the secret lyrics for the (instrumental) chorus! Or invent your own.
A fast, upbeat back-and-forth between piano and synths - the piano gets a little moody but the choruses are simple uplifting fun. It's track 4/5 on the All Her Angels EP.
It's track 3/5 on the All Her Angels EP and you can watch a play-through of it as a BeatSaber level too! Has some very pretty piano if I say so myself.
It's track 5/5 on the Hellish EP, and the highest tempo by a good measure, at a brisk 175bpm with it's own kind of groove.
A dance track that goes pretty hard! Your enjoyment might be enhanced by a very basic but very cute animation loop. This is Track 4/5 on the EP. [more inside]
High-energy synths and percussion with intertwining, anthemic melodies. (My love of Rush probably shows but it's a pretty straightforward tune.)
A pretty simple dance tune. I borrowed (well, adapted) a melody, I admit - but it was a 4/4 melody crying out to be in 3/4, and I wanted to set it right. This is track 2/5 on the Hellish EP.
Upbeat melodic Euro-trance style tune with big hooks - should get you to put your hands up and/or your foot down. Check out the video here. [more inside]
Mostly electronic. An increasingly oppressive cloud of ambience over a basic beat.
Downtempo electronic patterns [more inside]
A melancholy electronic song made under the name "Alone on the Ice"
homage to the mega drive/genesis game [more inside]
Dungeon/fantasy/forest synth again. You shouldn't follow the light! [more inside]
brash, downbeat electro. one part melancholy, two parts wibbly wobbly bass
some experimental noodling with virtual drums and discordant synths [more inside]
more scattershot electro. a deliberate "track 1". [more inside]
optimistic down-tempo instrumental hip hop beats and synth-strings [more inside]
a bit of an experiment. old. a series of mostly-drumless electronic vignettes.
optimistic disposable electo-ditty [more inside]
A quick sketch to start off a series of 3 songs based around some creative sequencing techniques. [more inside]
ming's theme [more inside]
a short vignette
LF System (acoustic ft Silk) and The Strokes
make some noisette! [more inside]
broken beats and emo synths
more synth-laden breakbeat - quite fruity in places [more inside]
moody layered synths and breakbeats [more inside]
chilled-out emo-wave synth-hop [more inside]
breakbeat electro-funk [more inside]
Ambient Office returns with another modular jam. Harmonic rhythms with some melodies over the top. [more inside]
Built in the excellent 1BitDragon sequencer, with a few extra bits added in a DAW. Part of my JPL side project.
Ambient Office project that features some just intonation intervals and granular noise. [more inside]
I heard a vocal sample and imagined three little frogs were singing it and so I had a little fun. [more inside]
Another AO jam - this time using a cellular algorithm to derive a melody and a few drum triggers that I mess with and layer under some drones. [more inside]
#3 song for FAWM 2022. Tip of the hat to Exiting The Vampire Castle for inspiring the title. This one's about cancellation, and the toxicity of the queer community. Thankfully for all of us, neither of those things exist. [more inside]
This is a piece that I recorded by triple-tracking myself playing an FM synthesis patch (the "twist" being that it has an extra cosine applied to the modulated signal) written in Pure Data. [more inside]
A walk through the depths of feedback noise [more inside]
I took the Linn drum set in Live, slowed the samples down and played with it; vaporwave came out. I followed that to a conclusion of sorts. [more inside]
Orca jam with an OP-Z. [more inside]
Playing with feedback loops with a slowly shifting pattern. [more inside]
Semi-ambient modern synth pad instrumental with minimalist electronic bass, reversed electric guitar, and some pretty and deliberate vinyl crackle-ish soft static noise and a gentle mix of treated samples. Maybe sort of cinematic? [more inside]
The last of us
Torn [more inside]
Cartoon Music [more inside]
I'm F-ing Around with a still-new-to-me rig And Finding Out about what I can get out of it. Textures and glitchy stuff like I've done here before. [more inside]
A ghostly fox materializes ahead on the forest path and "hmm"s at you. "Hmm? Wait, how are you talking?" "A fox appears out of nowhere and your first question is how it talks? Humans..." "Look, it's my first time outside the bounds of reality." "You have a lot to learn. Follow me."
In 2017, I posted this piece (using the Barbie voice samples from this post. At the time, it capped out at around five minutes due to a limitation in the Sonic-Pi, the software I was using. I've now learned enough SuperCollider to be dangerous and as a result have worked around those limitations, producing a full hour-long piece containing all of the names. This is not that piece. It is a shorter version (a Radio Edit, as it were) that doesn't exceed this site's file size limits. [more inside]