Acoustic guitar and voice. Pretty straight as far as my memory of the proper song goes. [more inside]
Impossible Bookings is a collaboration I kinda sorta foisted upon cicadaverse, who initially posted the instrumental version of this track 6 months ago. I put words to what he'd created, we each reworked what we had into shorter form, he remixed my vocals and added to the instrumentation...then life happened to us both. We caught up recently after a few months off, remastered it, and called it good. [more inside]
I'm happy to present my collaboration with not_on_display: this is our version of a neat little tune that was included in The American Songbag (a 1927 folk song collection by Carl Sandburg); the song there was itself derived from a late 19th-century song by William S. Hays. [more inside]
I had a great time collaborating with billiebee on a cover of this traditional folk song/sea shanty. The goal was to record a simple arrangement that was different from the more lively covers out there -- to borrow billiebee's phrase, a gentler version. I'm hoping our rendition highlights the lovely melody of the song. [more inside]
Better Than Ezra's "Good" is one of my all-time favorite songs. [more inside]
A song about the winter weather or lack thereof, the defining El Niño of my childhood, family troubles, a metaphor about my lack of perspective, and an impression of a musical sheep. [more inside]
Just finished writing a new song :) I was trying an experiment using to convey a good part of the emotion in it. Oh also, playing with a new tuning I found while trying to learn a Nick Drake song. CGCGCG I like it but I'll have to play with it more.
when it rains, it pours [more inside]
Gentle, warm, almost mantra-like song featuring guitars, piano, bass, lap steel, drums, bass, melodica, and vocals -- kinda sorta about seeing love as an art project. [more inside]
I took a break from music stuff for six months, and then came up with three songs in rapid succession. I'm out of practice, and I'm not in love with this one, but it's the best of the three. Posting just so I don't completely fall out of the habit.
A great song by Vera Lynn, not performed by Vera Lynn. Guitar, vocals, pump organ (back again!), a slinky, and hand sounds. [more inside]
Just got a new zoom h6 to record with. Guitar, vocals, whistling, and a 1930's Dogherty pump organ. [more inside]
Listening to some old songs of mine, I came upon this one from 2004. It's a rather sweet, romantic little thing written about a depressing period in my relationship at the time. [more inside]
For decades now, I have been inspired by songs that make you think beyond just a lovely melody (hopefully they'd go hand in hand together). On that note, here's a song about unwinding and placing greater value in human relations (at a time when we so greatly need this).
In June 2010, I posted a song called Womankind. I was just digging through some old demo recordings and found the demo for this song. [more inside]
A sub-2-minute garage-pop type of deal [more inside]
A bit of synthy iPhone silliness [more inside]
Recorded this today with my group for a class project. Made with actual good quality microphones! [more inside]
Another sketch of a song.
An ode to women featuring guitars, piano, melodica, and lap steel. [more inside]
This is an angry, broody, dark, but pretty song. I'm proud of it, I think it's one of my best! Includes a pretty sweet xaphoon (!) solo by yours truly, plus background vocals by my wife. [more inside]
This started as a weird tune with pseudo-Indian wailing/cat meowing vocals, guitar feedback, and a one-note sitar solo. It still has those elements, but the track ended up being an almost radio-friendly, catchy (?) pop-rock thing. [more inside]
A Danzig cover (aahh!) I used to love the early Danzig albums back in high school. Three or four months ago I had a nice night and must have remembered the band because I woke up with this. It has since been remastered several times ( took out a lot of bass on the guitar ) and many attempts to post have been made (some nights you just can't figure out LAME). Like everything else I seem to have thrown together so far, it's one take on guitar (with vocals from that take bleeding in) and then one for vocals which were doubled. I added some shit in the left at a couple places.
Silent Night with acoustic guitar, ukulele, and 4 part vocals. [more inside]
I'm jumping back into music with both feet right now, so here's another rehearsal recording for your listening pleasure. This sweet tune was introduced by Nat King Cole back in 1952. You young whippersnappers probably remember it from elsewhere though. Sigh. [more inside]
Back to practicing new repertoire with my freakishly adorable guitarist Barry. Yay! Sooo, here's a pretty straight and peppy little version of an old standard tune by Fats Waller. [more inside]
Came up with this song yesterday, and I sort of like it. A departure. [more inside]
A short, lyrically strange new song partly based on a dream. [more inside]
I was walking around in the garment district at night on valentine's day years ago, and spotted a beautiful woman walking alone across the street. Despite being glamorously dressed up, she looked like she had lost all faith in men. She was carrying a heart-shaped balloon and huge flowers. This song is sort of about that. [more inside]
A very dumb cover of Tonight You Belong To Me, written by Lee David, 1926.
First mix of fer-realz recording of one of my songs: Chester. Per my last AskMefi post, please critique it! [more inside]
I suppose this is the equivalent of my last yay new instrument song. Banjo, 'lectric guitar, 'lectric drums, singin. [more inside]
I think this is one of the catchier songs I've come up with in a while, though I never seem to be a good judge of that. At any rate, it's a short and simple track about intense love gone missing... or something like that. [more inside]
This is a lazy pseudo-live cover of the Bruce Springsteen song, recorded on a whim a couple of years ago.
The Smoke Alarm Sessions, cont'd. I've been learning Caravan. I love the way Ellington did it a lot. Nowadays so many people play it very straight ahead, & I think that gets boring. So we experimented. At first Barry tried to put a funk beat behind it, but I'm not sure about it. On the second chorus I was thinking that since I've been to Egypt I should use that as inspiration to experiment with different melodies. I think in the future I'll probably take that a lot further, I kind of liked the feel. So, we'll see.
4/10/07 rehearsal recording in LA. Trying out some new repertoire... well, new for me. This adorably sweet little song was written in 1928. I decided not to put any kind of modern spin on it, but to just sing it slow and straight. (Guitar by the always adorable Barry Zweig.)
A new(ish) song by The Harvey Girls
This is a very rough recording (of quite possibly my favorite ballad ever) from a rehearsal in LA a year or so ago. I was working on possible CD repertoire with jazz guitarist extraordinaire, the oh-so-adorable Mr. Barry Zweig. (Written in 1942 by Bill Carey & Carl Fischer, You've Changed has been beautifully recorded by Dexter Gordon, Billie Holiday, Nancy Wilson, Ella Fitzgerald, Sarah Vaughan, Nat King Cole, Kay Starr, Diana Ross, Charlie Shavers & Eva Cassidy, among others.)