A multi-tracked violin sketch/tiny cover of an excellent song by Lil Nas X that I can't get out of my head.
Piano, strings, and electronics on a journey across a strange, wide landscape. [more inside]
This is another arrangement of a video game, but this time I wrote the original, as a Nintendo-compatible authentic chiptune, and then later turned it into this by improvising on piano, and sending it to my dear friend Jeff to play violin over it. My job BEST JOB OF WORLD.
This one has maybe the most tracks of any song I've ever made. [more inside]
This is a sketch of a work in progress. It started out as a simple cascade riff on the top three strings of the guitar and morphed into what appears to be an Irish fiddle lament. [more inside]
A dark heart learns from its mistakes much later. [more inside]
Regression is totally sexy, right? This is a nice listless, lofi version of an old song of mine featuring my friend emily's wonderful violin improv. It's a little rough, and I could use some help on rounding off the edges. (oh, and NSFW at the start) [more inside]
Instrumental. We used electric and nylon guitars, glockenspiel, electric bass, and a drum set [played by 2 guitarists, so don't judge]. Criticism [aside from the drums] welcome. [more inside]
Next in line comes Georgia (the country, not the awful state). Oh, Georgia...your flag is classy as hell, your language looks like squiggly doom. You're pretty awesome. I'm so sorry. [more inside]
A love song for my guitar. [more inside]
A little bit Bang on a Can, or simply hacking away on instruments we don't play? You be the judge! [more inside]
I like turtles! [more inside]
Unplanned, meant to sound planned; followed by planned, meant to sound unplanned; rinse; repeat. [more inside]
Ambient transdentalism, featuring Brian Eno, Robert Fripp, and John Cale...well, not exactly. [more inside]
My string trio playing one of our signature pieces by G.B. Viotti, the 1st movement to his 'Trio for 2 Violins and Cello' in Bb Major (Op. 19, 1). [more inside]
This is the lead-off track from the forthcoming EP, Labyrinths, by Steve Goldberg and the Arch Enemies, to be released 1/7/10. It's a wistful slice of indie-pop about insomnia, suburban isolation, and the boredom of hometowns. [more inside]
Just another folk-rock song about Jorge Luis Borges. [more inside]
Doo doo doo, doo doo doo, la la la, la la la la. The new hit single from Steve Goldberg and the Arch Enemies. A chamber-pop meditation on time, aging, and death. [more inside]
The original broken Christmas carol. [more inside]
Another from the Shot Heard 'Round the World (by popular request, I swear). Also recorded in Vermont, summer 2005 and Brooklyn, that fall. Title says it all I guess - violins, shakers, african bells, trombone, flanged guitar solo, air organ. [more inside]
I played a gig last week with a violin player and a bassist and they recorded it. This is one of the tunes. [more inside]
An original song by my old band, Selected Letters. Alto Sax, Oboe, Violin, Guitar, Bass, Drums, and a good mix of tight arrangement and improvisation. I miss this band a lot, but it was great while it lasted.
The result here is spending a few free days on my couch with my violin and computer. I would love all comments/criticism from anybody, as this is something I'd like to continue experimenting with. (I guess if you like it, you can vote by clicking on the plus sign and pass the link onto anybody else). http://www.radioheadremix.com/remix/?id=1196 Thanks! [more inside]
This is the first thing I've recorded in awhile. It's a song about Christmas that I wrote for Surfjam Stevens. I recorded it in my bedroom with a little help from my friends. [more inside]
Another teaser from the collab. [more inside]
Rehearsals : three tunes that we (a big band) were to play on stage in a small jazz festival in Millau, Aveyron, southern France.
A song by my band, the Notes and Scratches, kind of about Vivian Eliot and featuring a bunch of water. I sing and play the acoustic and the harmonium.
Another track by Selected Letters (my sadly defunct band). Music by J. Sher and I. Ochs, lyrics by R. Witte. Enjoy!
A Metafilter exclusive! This is the studio version of my contribution to the meficomp. It's the second track from my new album, which is available now.
V never used to believe me I was truly in love with her. She always said one day I'd get my things and disappear into that world I seemed so enamored with. Words couldn't convince her. The song did.
The opening track from my upcoming LP. Handclaps, ooh bop bops, fiddles, and flutes.
This is the closing track of my debut LP, Steve Goldberg and the Arch Enemies, to be released 4/20/07.
Fingerstyle arrangement of a trad tune, features backing violin by Gretchen Lohse.
Classical music meets instrumental tango salsa rock. Live recording from the Ohio Action benefit show, October, Kenyon College. I took the solo on this track, replacing vocals with a violin "guest vocalist."
Can't have a day with only one post to MuFi! This is from the 48 Hour Project; I spent two days in January holed up writing and recording an EPs-worth of songs that would later become the foundation for my current band. It was cold and tiring and fun...
"When our hearts crumble, sunlight filters through..." Three guitars, trumpet, sax, violin (me), vocal harmonies and rhythm section. My band Institut Polaire recorded this song in February 2006. While we're freezing down here now, we hope this poptastic postcard from Perth (Australia) can be part of a soundtrack for your northern summer.
Another cut from my band's demo.
From my band's (The Expert) 2006 demo.
Some stuff that happened. A mild case of OCD. A neighbourhood mom played the violin.
by Felonious Bosch -- “Never got drunk, as you can see, I'm (hic) perfectly sober...”
Another song from our record, it's a quiet sad folky love song. I'm singing and playing the acoustic guitar.
Another song from my college band, this one part of an aborted concept album concerning the Planet of the Robots, the Software of Sentience, and other sorts of robot-related stuff. Recorded in the basement of one of Cooper Union's buildings with a small "in studio" audience shouting "hooray!" at appropriate times.
This was my band in college, a surf-instrumental-spy-rock four-piece: bass, drums, guitar, and violin. I'm playing bass in this song.