This isn't really about anything. It's just a solo improv piano piece called Principals. [more inside]
vocodin' [more inside]
A groovy bit sandwiched in between two playful piano improvisations a la Kate Bush sort of 3 movements, if you will 1. Prelude 2. Groove 3. Postlude or 'Outtro"
Prelude played by flute with piano. Written by Charles Callahan for flute and organ. [more inside]
Post of the week...intense acoustic folk song. Guitar, vocals, piano.
I love this song. Cover with guitar, piano. From her 1995 album Wrecking Ball, which Wikipedia calls "career redefining."
I like it again. This is the piano track I posted before (now without the synth, and with vocals and backing vocal harmony) but I think I've mostly solved the problem that to me the whole thing felt kind of lifeless. (At least I felt confident enough to replace the old track with this on SoundCloud, hope that was wise.) What do you think?
Flowing, dark piano and atmospheric synth. TBH I've been tinkering with this for so long that I'm not sure if I like it anymore. (It's like the "if you a repeat a word enough times it doesn't even sound like a word" effect--I don't hear what I once heard in it.) But I really liked the piano part when I first came up with it. What do you think?
There's a song with words and stuff that this was originally based on, but I like the instrumental version better. Mellow, textured, haunting, builds slowly. What do you think?
This is a complete reworking of a song I posted before (17) which is now...prettier? Mellower? Flows more? What do you think of my new direction? [more inside]
This piano part and vocal melody have been rattling around in my brain for a while--finally wrote some lyrics and fleshed it out a bit.
Just some piano.
Change of pace. Flute & piano. This was recorded while rehearsing before playing it as the prelude to a church service. [more inside]
This is meant to evoke being chased at night in a 1970s city. [more inside]
Piano, guitars and drum Instrumental, some unresolved tension. [more inside]
In the past couple of weeks, I found myself going back to a piece that I'd started working on a few years ago -- probably because it's in a slower triple meter that's somewhat calming for me. This is a condensed one-minute version, featuring piano and guitar, for the 60 Seconds and Under #2 MeFi Music Challenge. [more inside]
Original tune - not related to any others of the same name - for piano and electronics. Around 124 bpm, 4/4, lots of melody, lots of drama. The last track completed for my Migration album.
Jessamyn bought me a really nice sounding small guitar, twenny bux with all the trimmings! I'd also just bought a really sweet Yeti Blue mic off Craigslist for $25. What a bargain! So this is how I tested the two out. [more inside]
Another improv piece from my sketch archives. [more inside]
Piano vs. Electronics. Kinda epic even though it's not all that long! [more inside]
A foot tapping piano-based rocker with some catchy riffs and pretty little intro that walks the line of being a little too long but IMO really sets the mood for the song.
Piano solo. This opens none too gently at about 138bpm and covers a lot of territory inside three minutes. It should flow nicely into its companion piece, Turquoise Migration. [more inside]
A short piano piece that all spins out from the opening motto: "You are the sugar in my tea..."
Short piano solo: Snow falls on the prairie.
Piano, strings, and electronics on a journey across a strange, wide landscape. [more inside]
I am aiming for "grand, yet subdued". I see all sorts of magnificent people and dignified creatures parading slowly by. [more inside]
This is another arrangement of a video game, but this time I wrote the original, as a Nintendo-compatible authentic chiptune, and then later turned it into this by improvising on piano, and sending it to my dear friend Jeff to play violin over it. My job BEST JOB OF WORLD.
A little song [more inside]
Piano solo: short, mostly melancholy and dark, but...
A piano composition written a while ago at the end of autumn for the first snowfall. The changing of seasons; the coming winter; delight in the sounds of children playing in the fresh fallen snow. [more inside]
This one has maybe the most tracks of any song I've ever made. [more inside]
A song for a departed friend. [more inside]
A short piano solo! Minor key, triplet feel, maybe a little jazzy, better suited to Halloween than early spring, but what can I do? It's a free download at BandCamp complete with suitably batty artwork. [more inside]
DTMFA ballad. [more inside]
Some Garageband piano. Apparently I'm ready for January already.
I turned four years worth of voicemails from my brother into this song, and I gave it to him for his 39th birthday. [more inside]
Fast catchy tune with a thumping chorus - but the piano takes the star turn in the verses. [more inside]
Pensive piano interspersed with electronic outbursts and a broad, burbling middle section. [more inside]
Snarky Americana. Mostly about a girl I dated once who just lovvvveed reaching into my wallet.
Whenever someone writes cross-genre, it always leaves you wondering what flavor their potpourri will take. When you see post-rock and shoegaze together, you might also have an idea of what you'll be hearing, but throw a piano in there, and you've caught everybody off kilter. That's what this song does, but nicely so. [more inside]
Uptempo, hard-driving instrumental for synth+piano, with elements of trance and classical. First track on my Anthem of the Heart EP. [more inside]
Something of a duck-billed platypus of a Brazilian tune. [more inside]
Another Nirvana cover I recorded a while back and just remembered about today. MIDI keyboard + vocals. It was fun to see if I could cover this song without the signature riff.
Gentle, warm, almost mantra-like song featuring guitars, piano, bass, lap steel, drums, bass, melodica, and vocals -- kinda sorta about seeing love as an art project. [more inside]
A collage for Disklavier and Toy Chihuahua. My toy dog always barks 26 times in a row. I asked composers to send microscores for piano, each 26 beats long, to be synchronized to the chihuahua's voice. Fifteen composers contributed about sixty scores. [more inside]
A song from my album that I've just released through Tunecore. If you like it there's more listen links at my site www.groklock.com. Let me know what you think!
I put this up a month ago. I put some more effort into it. Samples include Bernard Parmegiani, Erik Satie, Glen Miller.
Samples, synths, feelings.