Echoey guitars and sparse vocals, a cross between Mazzy Star and Nick Drake. This song is what I was crying about on the tube after Pride in London. [more inside]
I came up with the chorus in the shower this morning and decided to record something by day's end. [more inside]
Impossible Bookings is a collaboration I kinda sorta foisted upon cicadaverse, who initially posted the instrumental version of this track 6 months ago. I put words to what he'd created, we each reworked what we had into shorter form, he remixed my vocals and added to the instrumentation...then life happened to us both. We caught up recently after a few months off, remastered it, and called it good. [more inside]
Not a cover of the Faith No More song. Oh no. [more inside]
I am one of those people who, when I listen to a remix of any given track, set the bar really high and I'm pretty much hoping for a total transformation of the song into another creature, so to speak. That is exactly what happened with this recreation of Ummagma 'Kiev' when put in the hands of master Swedish remixer Copycat. I hope you enjoy the result just as much.
When a meeting of cultures occurs in a musical setting, something 'unordinary' may possibly occur. But when this meeting involves two awesome creators, it may even be extraordinary. Here Japan meets Ukraine and Canada, as celebrated Red Bull artist Haioka creates his own version of Ummagma 'Kiev'. Enjoy!
Chanting has long been a tradition within world cultures - nearly everywhere you go in one form or another. When chanting takes the form of vocals with lilts, overlaps, intersections and emotion, it can be particularly powerful. That is what 'Winter Tale' seeks to embody. Enjoy.
A love song transcending space and very much linked to a time, a feeling of weightlessness. I'll let the lyrics speak for themselves: Cosmic lover Made up my mind I’m not going home This is where I’ll stay With you Long as you’ll be here So will I In our space In our space Orion is closer Now than ever Get to know the universe Around us I can feel your movement When I see you Every morning Every moment Every motion Whenever we drift away
Music seems to 'feel' so much better when you sit back and just listen to music, without thinking about the pigeon-holes that have been slapped on a song or even your own temptation to categorize it into this or that genre. This is something I've always believed but recently it occurred that the same goes for the song-writing process. Much better to feel free of genre-related limitations. This Ummagma track was one such track that was written free of the need to pigeon-hole. [more inside]
I think the term remix is a big put off for many people and, if measuring according to the number of remixes out there that are just so standard dance-floor filler, it's understandable why there is such a stigma attached to this word. But there are moments of light shooting through when a producer or gifted musician manage to 'reconstruct' a song rather than just 'remix' it. Likely that's where the term 'rework' has started to become used more and more often.... to set them apart. Whatever you want to call it - here is one such track that differs significantly from the original in all it's stunning rework/remix glory. Kudos to Japanese producer Shintaro Haioka for this gift to Ummagma.
When you live in a country where something called a 'melting pot' falls into play, you sometimes don't detect marked differences in sounds and influenced within the larger meld of rock music (maybe it's a little clearer for pop music - I'm not sure)... In any case, here is one track created at the foothills of Ukraine's Carpathian mountains... You may hear a distinct Carpathian whistle and even gamma in this song. I think it gives the song a distinct and tasteful 'ethnic' flavour. This is 'BFD' by Ummagma and I hope you will enjoy it.
Some of the most inspiring music out there focuses on the positive elements of humankind and society, blah blah blah. But there comes a time when even musicians' gearing towards that tendency get fed up and write something outside of their 'regular' thematic 'boundaries'. This seems to be the case with this Ummagma song. Enjoy and visit the band on Facebook...
There is one thing that I really admire in certain artists and that is flexibility. I love it when a band can perform across a spectrum of genres and especially when they manage to pull it off well. Starting out with Ummagma's Balkanofellini, which seems appropriately named when you envision those awesome soundtracks to all of Federico Fellini's films (by Nino Rota), combined with all the Balkan eclecticism of Emir Kusturica's films (soundtrack by Goran Bregović). Well there you have it. A hybrid. Thought you might also like a few quick offerings of other Ummagma tracks, so here is Human Factora">, Risky, NIMBY, and Upsurd, Orion, BFD and Outside
Let's throw in a juxtaposition in sonic terms just for the sake of diversity. Here is a free download of Ummagma 'Titry', alongside one right here for 'Live and Let Die'. The first is an instrumental folky track somewhat like Peter, Bjorn and John's 'Young Folks' crossed with Tortoise (with their more upbeat side of postrock). The second is also upbeat in the best shoegazey dreamy fashion - but with ethereal yet solid vocals... Enjoy both :) [more inside]
We made an EP.... here's the title track. Featuring Sredni Vashtar's usual swirls and loops and noises, it was one of four songs recorded and mixed late last summer in South London [more inside]
Where does one genre begin and another one stop? I'm asking myself the very same question every time I hear that this song is indie or pop rock or folk rock or dream pop. Well, whatever one calls it, I hope you enjoy this. [more inside]
When synth and guitar blend with electronica and vocals that are not too up-front in the mix, but not totally phased out to be lost in the mix, often some really nice sound is what can happen. At least that is what we think happened here with this track. [more inside]
It's all in the lyrics with this song, though I think the tone of the music gives away quite a lot too. Indie rock with a progressive dreampop edge. Short and sweet :) This is our Ummagma - findable for search-happy folks at www.facebook.com/ummagma [more inside]
Psychedelica as embodied in music is not always about rowdy trippy cagey delivery and a catchy spacey or 'wow' riff…. sometimes psychedelica can drift unassumingly into the realm of melancholia, which is where this Ummagma song firmly rests. [more inside]
So much music, so little time. Even in the mind of the remixer, likely that expression would sound something like "So many remix options, so little time"… which is why we're lucky there are so many different great remixers in this world (yes, there certainly are a lot of terrible ones too)… But here we have a wonderful remix by Brazil's Mind Movies of Ummagma's track 'Lama'. Certainly do hope you will enjoy this vision too.
OK - not exactly a sing-along and not exactly the kind of song you can imagine a sing-along happening to, but there is something to be said for the harmony established between two voices in a song, even if they are not singing in tandem. This is, indeed, one of those songs where I think that kind of love-in has been achieved, at least sonically.
A mix of cultures often results in something beautiful - interesting art, world views, beautiful babies and intriguing music. And you don't have to be from either of those cultures to appreciate how wonderful this can be. This song represents a melange of two cultural infusions - from Canada and Ukraine. This is Ummagma. Enjoy. [more inside]
There is always that belief out there that musicians often self-create bad situations in their lives so that they have something to write about. ;) Well, here is one track that actually was written as an apology after a lovers' quarrel :) Oh yeah... [more inside]
We finally got around to re-recording White Light Music Night. The original version is here. [more inside]
Here's a song that was posted a couple years ago of but is now all shiny and new and properly recorded. [more inside]
A dreamy instrumental version of the Mills Brothers classic.
Words can only be twisted so many ways, but the same words can sound to a host of melodies. That's what happens when you dabble in the world of remixes too, such as this one by Ummagma. Really impressed with the transformation from the original track. [more inside]
In honor of tomorrow's blu-ray release, I recorded a new take on the classic Lynch/Badalamenti theme, "Falling," from Twin Peaks. [more inside]
A song by Bummed, a shoegaze-influenced band my friends and I have been working on. I'm on vocals! [more inside]
Sonic Youth has been a big influence on many modern-day bands and Ummagma is definitely one of them, as is evident from one listen to "Back to You". The hazy gazey sounds here build into a kind of intentional dreamscape. [more inside]
Dream pop meets hip hop full on, and the mesh essentially delivers what feels like a natural sound, as if that is how it was intended to be all along. This track is somewhat on the dark side, accentuated by both the underlying music and vocals, hear's an earbite for you, care of Canadian-Ukrainian duo Ummagma & Canadian rapper Drake. [more inside]
I recall watching John Waters movies in my teenage years and always thinking, THIS is the soundtrack to not only my but millions of people's teenage years. Well, this song is the soundtrack to a peaceful blissful moment, based on the moment when it was created, every time I hear it. Hope you will also enjoy.
Since music is a powerful force capable of evoking an endless array of images to one's mind, this represents just the diverse dynamic space, vocal free, to be a canvass for whatever the listener can dream up. This is for dreaming, after all :)
Fusion confusion. The meshing of musical genres found in this Ummagma track represent a fusion, reflecting the confusion that is so commonplace nowadays in this world - simply absurd and rising. Hence the name Upsurd.
The vocals from the original version of River Town are scaled back and quite a few new dynamics added, but this remix embodies the same dreaminess as the source version nevertheless. This is virtually a rework more than a remix in any case.
When a musician, who has self-recorded and mixed everything (brilliant) he (she) has ever put out, eventually takes to creating a remix, the output can be somewhat spectacular. That is what happened when San Francisco shoegaze darkwave wonderkind Jane Woodman jumped into her very first remix for Ummagma 'Lama'. Hope you enjoy the output.
The themes of timelessness vs. something purely of the moment and also of mobility vs. immobility are somehow factored into the folds of this dreamy folkrock-inspired track by Ummagma. Whispy and somewhat ethereal. [more inside]
I think many people are innately inventive and many are even thrifty. When you combine the two elements with a worthy musical piece, it's amazing how many different kinds of incarnations that you can dream up for it, taking on a life of its own, so to speak. But when you start comparing one remix against another, sometimes lines tend to blur and it becomes more challenging to distinguish what has been taken from the original version and what has been newly added. It's at that point that I always end up returning to the original. This 'Lama' is that original track - a point of reference now and especially at the time it was written.
If you are anything like me, you sit in awe during all the 'musical moments' laced throughout any Fellini film (music composed by Nino Rota). Combine that with the unexplainable excitement during those lively Balkan snippets of any memorable scene of most Emir Kusturica films… that is what this song feels like… to me anyways.
Imagine a dream that entails a strange melange of light and dark and translate that into sonic form, albeit with angelic vocals. That is what this song represents. [more inside]
Eastern European countries are home to remarkably sounding native folk music, and it is particularly welcome when any element, or even remnant, of that is mixed in with any form modern music. What a grande fusion it can be. That is what we feel happened with this song.
Dreamweaving is a game that is often best played in the musical realm and this song is a perfect case in point. Skipping, wishing, gazing, tripping, and flight. It's all here. [more inside]
The Road to Nowhere? No, the road to somewhere magical and fantastic, enjoying every moment encountered on the way. That is the idea guiding this song and the windy change-ups and ambient indietronic delights emerging as the song progresses.
When you dig the original of a song so much that you can't imagine how anybody could possibly ever dissect it and re-embody it in an alternate format, sometimes you are pleasantly surprised when indeed someone comes along who capably does just that - with flair, good taste and a handful of cards up their sleeve, dealt ever so cleverly within the remix they have created. That's what we're talking about with this Sounds of Sputnik take on Ummagma's 'Lama'.
Tides and lilts, ebbs and flows. Something romantic, yet superfluous permeates 'River Town', with a spacious element opening up for sweepingly dreamy female vocals. At least that's how we see this Ummagma track. [more inside]
We once used to wonder what it would sound like to whip up a healthy feisty mix of dream pop and hip hop - rap and now, thanks to this tasty earbite, we have an idea. Definitely taking a walk on the dark side, underlined by both the music and vocals, this is still definitely worth the listen.
In the spirit of "Superstar" by legendary art-punk band Sonic Youth (who were covering The Carpenters chart-breaking track), here is 'Back to You'. Sonically similar, but content-wise very different. No superstar imagery from the perspective of a groupie here. Just some self-searching and hopefully grounding elements. [more inside]
Synthpop, Electronica, Indietronica, Electro bliss by the earful and here for the taking. Although it will be a while until this track will be published on any official release, you might enjoy this sneak preview.
Sometimes the original version of a song can be so cool that you think that any remix might just destroy it… and then someone thrills your tits by creating something new from it that sucks you write in a smooches you from the first note. This is one such rework.
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