18 posts tagged with electronic by dacre.
Displaying 1 through 18 of 18.
Millimeters of Mercury - Immortal
A cutesy synthpop commentary on basic human nature, fears, religion, why we think what we think and do what we do, and our place in the universe. [more inside]
Millimeters of Mercury — The Little Old Lady from Pasadena (Cover)
Surf-electro?
Cover of the Jan and Dean song.
S1 (ISON)
C/2012 S1 (ISON) is a comet headed into the inner solar system for the first time. Coming from trillions of miles away to make a parabolic orbit around the Sun, accelerating to ~500,000mph, it could be the most spectacular in modern history. This song tributes it. It starts off with its dark, lonely, dusty origins, to the chaos of the Sun pulling it in and it raging into the inner solar system (represented by some chaotic American dubstep-styling), to the majestic beauty of the sight of it on Earth (with soaring strings and piano underpinned by the bassline from before but now moving in chords).
Millimeters of Mercury — Ice Age
An as-of-yet instrumental, franctically-paced (187), electronic post-hardcore-influenced song. Without doubt the most balls-to-the-wall, overblown, overpowered, overdriven, bombastic production I've created. But it's still in that poppishly glossy, tightly-produced package anyone who has heard me knows.
Any suggestions welcome as to how vocals should flow in it, and collaboration also welcome.
Time After Time (Millimeters of Mercury club cover)
Doesn't everyone love to cover this song?
Millimeters of Mercury — Drumline
Marching percussion + dueling synthesizers.
mmHg — The Planets: Mercury
Second part of my set inspired by Gustav Holst (the first was Venus), an electronic Planets suite inspired by astronomy rather than mythology. Here's Mercury. A spastic and rapid synth represents the planet's rapid orbit. A out-of-control mood represents the seeming descent into the Sun on approach. Erratic drum fills and interruptions represent the bizarre climate of the planet, being one of the hottest and coldest in the Solar System, and due to its rapid orbit sometimes having the Sun rise twice without setting.
Millimeters of Mercury — 17Σ (17SIGMA)
Epic dance. Start in a dark place and then hit them with the I-V-vi-IV.
Enjoy. [more inside]
Millimeters of Mercury — Contemplation
mmHg says chill.
mmHg - Hark!
I made this a few years ago, a remix of Hark, the Angels Sing. It's completely cheeseball — but some of my friends actually LIKE it, so I guess maybe it's good?
Millimeters of Mercury — Alpha Female
A theme for that girl who's hot and she knows it. [more inside]
Millimeters of Mercury — I Will Never Love Again
this song was birthed of an experiment to compose a Folk-style song and then doing it electro-style instrumentally and vocally. so the result is a folk-ish drum beat and accompaniment (and chord progression in the chorus) with electronic actual drums, synth bass, electric piano and electro vocals. enjoy, and never love again.
Millimeters of Mercury - Everything Will Be Okay
A little bit of cute electronic hope for everyone today.
mmHg - The Planets: Venus
This is the first part of my attempt to do something akin to the work by Gustav Holst. The difference with me is that it's electronic music, and that I'm being more astronomical than mythological. We start with Venus.
[more inside]
Millimeters of Mercury — Finish Last
Millimeters of Mercury is back after the end of finals at USC to present this decidedly retro electropop song that bounces and pounds in B flat major, occasionally straying into harmonic minor and dabbling in diminished chords and flat sevenths.
Enjoy. =]
Millimeters of Mercury & Lanthanide Contraction — Emergency Exit
What happens when 2 USC chemistry majors collaborate on a song — one of them being an electro artist (me) and the other being pop-punk (him)?
This happens. Enjoy.
[more inside]
you!!!!!!!!!!!!!
an original song. :) ever had a bad break-up? i have.
[warning, there's some explicit language toward the end. okay, there's a lot of explicit language at the end. ;)]
the boy in the bubble
an infectious, pounding cover of the Paul Simon classic.
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