made a loop that was too adult contemporary so I tried to put the ~vibes~ in and here we are [more inside]
some experimental noodling with virtual drums and discordant synths [more inside]
broken beats and emo synths
downtempo pseudo-ambient breakbeaty instrumental [more inside]
A bit of a departure. This is a bit of living noodling with a drum machine and a couple of tracks laid down with an OP-1. There's no real tune here, just an atmosphere. Something that's probably impossible to recreate, so enjoy.
Trap downtempo post blues rock. [more inside]
I wrote this on a train going into the city. [more inside]
The bones of this song were a proposal for a corporate jingle I was writing... [more inside]
I am one of those people who, when I listen to a remix of any given track, set the bar really high and I'm pretty much hoping for a total transformation of the song into another creature, so to speak. That is exactly what happened with this recreation of Ummagma 'Kiev' when put in the hands of master Swedish remixer Copycat. I hope you enjoy the result just as much.
When a meeting of cultures occurs in a musical setting, something 'unordinary' may possibly occur. But when this meeting involves two awesome creators, it may even be extraordinary. Here Japan meets Ukraine and Canada, as celebrated Red Bull artist Haioka creates his own version of Ummagma 'Kiev'. Enjoy!
Music seems to 'feel' so much better when you sit back and just listen to music, without thinking about the pigeon-holes that have been slapped on a song or even your own temptation to categorize it into this or that genre. This is something I've always believed but recently it occurred that the same goes for the song-writing process. Much better to feel free of genre-related limitations. This Ummagma track was one such track that was written free of the need to pigeon-hole. [more inside]
I think the term remix is a big put off for many people and, if measuring according to the number of remixes out there that are just so standard dance-floor filler, it's understandable why there is such a stigma attached to this word. But there are moments of light shooting through when a producer or gifted musician manage to 'reconstruct' a song rather than just 'remix' it. Likely that's where the term 'rework' has started to become used more and more often.... to set them apart. Whatever you want to call it - here is one such track that differs significantly from the original in all it's stunning rework/remix glory. Kudos to Japanese producer Shintaro Haioka for this gift to Ummagma.
So I've uploaded the track for 'Beautiful Moment' here, but I also want you to have the track ''Talk to Her'', so grab it here. The first is laced with male vocals, while the second is an instrumental with guitar trickery reminiscent of Robert Fripp or Brian Eno or even Bill Evans a bit.
OK - not exactly a sing-along and not exactly the kind of song you can imagine a sing-along happening to, but there is something to be said for the harmony established between two voices in a song, even if they are not singing in tandem. This is, indeed, one of those songs where I think that kind of love-in has been achieved, at least sonically.
This is one of those "let's drift away" songs... hazy gazey spacey and dreamy all in one… If one is prone to daydreaming or aural hypnosis, this may not be the song for you :) Just the same, this is definitely worth a listen to all others. This is Sounds of Sputnik.
Everybody likes music for partying mode, but what happens afterwards? This song would be the perfect accompaniment for the comedown afterwards (and even the hangover). Chill, centered, reflective, harmonious. I think :) [more inside]
Sonic Youth has been a big influence on many modern-day bands and Ummagma is definitely one of them, as is evident from one listen to "Back to You". The hazy gazey sounds here build into a kind of intentional dreamscape. [more inside]
I recall watching John Waters movies in my teenage years and always thinking, THIS is the soundtrack to not only my but millions of people's teenage years. Well, this song is the soundtrack to a peaceful blissful moment, based on the moment when it was created, every time I hear it. Hope you will also enjoy.
When the radiant bliss of classical music comes to enter the realm of dream pop ambient downtempo, something serene yet pensive may be the result, as in the case of this track. Initially when we composed this track, there were lyrics and vocals, but then our computer blew and somehow the vocals didn't survive. Today it is an instrumental.
Fusion confusion. The meshing of musical genres found in this Ummagma track represent a fusion, reflecting the confusion that is so commonplace nowadays in this world - simply absurd and rising. Hence the name Upsurd.
Inspired by the dissolution of my good friend's marriage. Heavy on atmosphere and breathy bg vocals. [more inside]
I think many people are innately inventive and many are even thrifty. When you combine the two elements with a worthy musical piece, it's amazing how many different kinds of incarnations that you can dream up for it, taking on a life of its own, so to speak. But when you start comparing one remix against another, sometimes lines tend to blur and it becomes more challenging to distinguish what has been taken from the original version and what has been newly added. It's at that point that I always end up returning to the original. This 'Lama' is that original track - a point of reference now and especially at the time it was written.
Synthpop, Electronica, Indietronica, Electro bliss by the earful and here for the taking. Although it will be a while until this track will be published on any official release, you might enjoy this sneak preview.
Sometimes a song's strength lies in its lyrics or in the nuances of the vocalist's delivery and tembre… Sometimes the instrumentation speaks volumes all on its own. This is one of those times… This is Ummagma. [more inside]
Love generates love generates love. Beautiful Moment seems to capture an element worthy of such progeneration. Harmony, peace, smooth dreaming and a swirl of energy-filled ethereal waves. [more inside]
Quick concept and messing around with my new DAW setup. Still working out song structure, so this is dirt simple with very little variation on the theme and only one bridge. [more inside]
There is such a thing as light-imbued melancholy. This song shows that @Ummagma is among a cozy handful of bands nowadays who seem to thrive on achieving that combination. You can find Ummagma here too. [more inside]
Made with luv using hydrogen, ardour, audacity, a novation xiosynth, amsynth, and LINUX!
Make love like you're going to die. [more inside]
Peter Gabriel meets Daniel Lanois and Chicane. Here in this song, I'd say that Ummagma comes closest to having a Peter Gabriel moment. Somewhere in between his Sledgehammer and Passion phase. Fortunately, the other elements making this track unique kick into play and it's hard to put your finger on anything else. So just listen instead...
Whispy male vocals and plenty of air for dream-weaving delicately frame this ethereal song. While "Photographer" is one of Ummagma's more melancholy songs, it's far from depressing. This one stands in the light. Features male vocals by Alexx Kretov (Ukraine).
A little Mezzanine-era Massive Attack and Stereo MCs blend with something more ethereal - throw in both male and female vocals… and then some more depth that is indescribable in words. So says me. :) Titled "Upsurd" because a little absurdity can also have an upwards drive to it. Right?
Deconstruction and rebuild of office house dub 3.3.3 aiming for an inspiration somewhere between Boards of Canada, Nurse with Wound, Aphex Twin and proto-punk Nico/Velvet Underground. This is intentionally very experimental, abstract, noisy, tweaky, melodic and glitchy. [more inside]
Chill experimental NASA and vintage 70s porn dub. (Safe for work.) [more inside]
Piano, flutes, and pads, downtempo. Worked over the Christmas break while avoiding family. Feedback appreciated!
The second track from my 2008 release "You Are Not Dead"
The first track from the album/book combo You Are Not Dead, released in 2008 by myself and Meg Holle. [more inside]
A lullaby for my friends who had their first child on Christmas. Done in NanoStudio on the iPad.
Downtempo! Meandering beat, melodic electronic. I'm kind of into making synthesizers sound like samples right now, so everything came out of a synth of some sort. [more inside]
A downtempo mashup of John Frusciante's The Will to Death and Under the Bridge by the Red Hot Chili Peppers. [more inside]
Love song meets murder ballad. [more inside]
A lush electronic meets shoegaze(?) song influenced by a Steve Reich piece. [more inside]
A weekend messing with Scanned Synth Pro yielded this spirited dirge.
Inspired by a friend's photos of the ocean.
An atmospheric interlude that briefly teases a song, written for my unborn son. I tried to convey a feeling of floating around in an amniotic sac with brief moments of activity that go away as quickly as they appear. [more inside]
Just a sketch/idea of a song. Doubt I'll do anything with this, but it seemed a shame to toss it. [more inside]
Version 2 of a song I made with Logic Studio on a Macbook Pro, which somehow reminds of the year 1979. [more inside]
an eclectic downtempo glitchy track of mine from 2006. some interesting live drumming incorporated then destroyed accordingly. comments welcome! [more inside]
This downtempo "weirdo-falsetto" number is a track by Clearspeaks featuring edlundart. The music was written and produced by Clearspeaks while I wrote the lyrics and vocal melody. I also performed the vocal and created the vocal snippets used in the background, similar to what I did on "elevate."
Written during a Squarepusher phase I'm guessing. It's at least 5 years old. I like how it develops.
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