Finally taking the full rig for a proper spin again!
Fanfare for the common synth
There's a song with words and stuff that this was originally based on, but I like the instrumental version better. Mellow, textured, haunting, builds slowly. What do you think?
Recently got a Teenage Engineering OP-1 and this is a first attempt to put the 4-track through it's paces. It's a noisy little thing, extremely digital. In addition decided to put this together without any sequencers so the rhythms are... inconsistent. This is straight out of the device, no additional processing.
I recently recorded this soundtrack for the short "Inhumane". I have linked the video below if watching the finished product is more your speed. let me know what you think.
A psuedo-guitar-like ambient song performed on modular synthesizer. This is the third track on my new release Nereus, available on Bandcamp. [more inside]
A short improvisation for polyphonic synthesizer and 16-step sequencer
Building a beat around an organ loop [more inside]
Featuring the Line 6 M9 providing a little bit of chorus, delay and reverb... and the old classic, the Line 6 POD providing the 'amp'. Full Line 6 rig today.
I know the 2107 eclipse over the U.S. has come and gone, but hey, there's always another one. [more inside]
Digging back into some old ambient/noise/drone ideas. Synth, guitar, and bowed cymbal. [more inside]
Punk, metal, jazz, slack, folk and noise. This pretty much typifies the grab bag that was my band, Big Ghost. Like trying to get Pavement and RHCP to agree on California rock. It's a mess, but it was our kinda mess. [more inside]
A synthy jam about the magic of summer, youth and minivans.
A short instrumental piece (featuring synth) in which I basically have fun building from a loop. This is my entry for the MeFi Music challenge to submit music inspired by a MeFi post (I Saw This Thing On The Blue And...). Credit actually goes to three MetaFilter-related posts from last month: two MeFi posts by not_on_display and one MeFi Music post by ignignokt; they inspired me to create electronic music again after a decade+ hiatus. [more inside]
I made this upbeat, major-key, low-fi-sounding jam entirely on my OP-1, the same gizmo used in these videos. The transitions aren't as good as they could be, but they're definitely a level up for me. The whole thing falls apart at the end in a glorious heap. A good LET'S GO OUTSIDE AND PLAY instrumental. [more inside]
A tribute to the ancient hidden source of all cold seas and those that watch over it. With vocals by my friend who sings in an actual early music choir! It's also got square waves, organs, and sometimes ambiguous chords.
Quick song recorded this morning on Music Memo with (automatically added) bass and drums, and some synthesizers and (fair warning) voice-cracking singing. [more inside]
This is meant to evoke being chased at night in a 1970s city. [more inside]
An upbeat ditty about falling in love, blah blah blah. Cobbled together during my currently-on-hiatus 52 weeks project. Inspired by Holiday-era Magnetic Fields. [more inside]
I wrote this on a train going into the city. [more inside]
The bones of this song were a proposal for a corporate jingle I was writing... [more inside]
just havin a play
So this is another song, audio is taken directly from the youtube video here. This is a live performance, did a session in the lighting hire and install company I work for over the weekend. This video forms part of a competition entry for our band. [more inside]
Piano, guitars and drum Instrumental, some unresolved tension. [more inside]
Something fairly new. This is two of us playing live, me on bass and singing, and synth and drum machine from Magnus. [more inside]
Based on the John Maus version of Molly Nilsson's original.
A song about alternative histories and intangible futures.
bit of a chord sesh
I figured out how to use the arpeggiator on my op1 (actually the 'endless' sequencer). Brings to mind seeing out from the home village on an epic quest.
My train rides lately have been spent either a) playing with my synthesizer, or b) playing through Super Metroid on my phone. This captures pretty nicely the feeling of wandering a submerged subterranean maze, looking for secret side tunnels while kinda low on life (though with a couple energy tanks in reserve).
Some synth experiment from the vault...2nd half goes more analog...
At 0:32 I start ripping off a Goblin riff and I can't find the song that I am ripping off. It's not off of Roller or Profondo Rosso... Any insight would be appreciated.
the big synth at the beginning is live-performed on a Roland JX-8P on the patch called "Van Halen"!!!
Just an experiment of guitar electronic fusion I've been playing with. I'm planning on doing an album-full of these types of songs soon.
Piano vs. Electronics. Kinda epic even though it's not all that long! [more inside]
From the Prehistoric EP (2008)!
My son asked me to record his heartbeat for some school thing a few months ago. I had this heartbeat lying around so I added some Moog to it and Bob's your uncle it became a synthpop song.
Finally finished my latest project, VOIDBREAKER. Ominous space synths, gritty breakbeats and a consciously gritty production. This is the fourth track from the EP just released on Spotify. [more inside]
Got a MIDI controller, which I'm superdy duper excited about, and figured I'd put it to work by fulfilling Greg Nog's Mefi Cover Challenge, covering Cold Specks' Blank Maps. Quick 'n dirty.
A loud, frenetic jam in F#, dancing between half-time/double-time, with synth slap bass!
No drum beat or melody. Just some interlocking synth arps. For the Sunday crowd.
It was snowing and what better to do than mess with the arpeggiator? [more inside]
I just loaded up Ubuntu Studio with some soft synths, and recorded this CarrotAdventure-inspired piece. It came out sounding like a game show theme, hence the name. [more inside]
Have a merry Synthmas with this peaceful electronic soundscape from the Men's Snarehouse. [more inside]
An upbeat synthwave / retrowave instrumental. [more inside]
Just as the seasons can see a categorical change in all the features embodied in this one unifying phenomenon we call 'the weather', so too can a song be totally turned on its head from the original version, doing a near about-face.... that is what happened to this track in this remix by Malcolm Holmes, famous for his participation in legendary synthpop group Orchestral Manoeuvres in the Dark (OMD). [more inside]
Piano, strings, and electronics on a journey across a strange, wide landscape. [more inside]