The last – and melodically and harmonically my favorite – song on the All Her Angels EP. Guess the secret lyrics for the (instrumental) chorus! Or invent your own.
"It sounds like two forest spirits having a duet" – and it is track 2/5 on the All Her Angels EP.
It's track 5/5 on the Hellish EP, and the highest tempo by a good measure, at a brisk 175bpm with it's own kind of groove.
A dance track that goes pretty hard! Your enjoyment might be enhanced by a very basic but very cute animation loop. This is Track 4/5 on the EP. [more inside]
High-energy synths and percussion with intertwining, anthemic melodies. (My love of Rush probably shows but it's a pretty straightforward tune.)
Upbeat melodic Euro-trance style tune with big hooks - should get you to put your hands up and/or your foot down. Check out the video here. [more inside]
Also electronics + piano. A bit more pianistic and melodic; more "pretty" than "driven."
Electronics + Piano. Lots of harmonic and rhythmic drive.
Original tune - not related to any others of the same name - for piano and electronics. Around 124 bpm, 4/4, lots of melody, lots of drama. The last track completed for my Migration album.
Piano vs. Electronics. Kinda epic even though it's not all that long! [more inside]
Whenever someone writes cross-genre, it always leaves you wondering what flavor their potpourri will take. When you see post-rock and shoegaze together, you might also have an idea of what you'll be hearing, but throw a piano in there, and you've caught everybody off kilter. That's what this song does, but nicely so. [more inside]
This is a song from my band Blackwolf Beach. We are from Baltimore, MD. I think we sound like punk/melodic hardcore/noisey stuff. There are two other mefites in this band! Josher71 plays guitar and sings sometimes, and petulantbeard plays drums and sings sometimes. I play guitar and sing sometimes. [more inside]
Space rock is a term that is often over-used for various psychrock tunes, but it is dead on for this track from Sounds of Sputnik. Or space post-rock or even space post-rock shoegaze. Looking forward to your take on that.
2003, swingy melodic techno [more inside]
Big, melodic techno-soul. 2011. [more inside]
A fantasy for synthesizers and percussion. [more inside]
Shorter, sweeter mix of this responding to some of the suggestions on the last one. Lost the first intro, cleaned up the drums, changed the harmonies slightly, brought up the melody guitars, and dropped in a blazing little guitar solo, even if I do say so myself! It's under three minutes now -- give it a listen! Now just have to figure out the B-side...
This is progressive instrumental death metal played in a strange tuning. Lots of layered guitar and bass work. [more inside]
The (hopefully) final mix of Y&SF with all the problems fixed and Major Dundee's epic solo finally loud and proud before the last chorus. [more inside]
To "tap the admiral" means to drink on the sly. You might feel a little woozy after listening to this tune, which begins with a chorus of sixteen blown alcoholic beverage bottles in hocket. [more inside]
Full on vocal harmony twin electric 12-string assault, my attempt to collide the Monkees with the Byrds with a side of the Go-Betweens. [more inside]
One of my favorite chord progressions ever. A demo from about 1995 for a notional solo album, and for once I sound like I'm actually worked up about something, which I was. [more inside]
This tune represents the hero of an RPG video game. Plucky, upbeat, and intrepid, it marches along with a gentle lilt, describing the heroic potential of our protagonist. Yet there's also a tender side to the main melody; during emotional scenes, expect to hear this theme repeated in an undertone. [more inside]
This is the main title theme for an RPG (as in, video game) that doesn't actually exist (outside of my head, anyway). It's an orchestral piece with strong emphasis on melody and emotion. [more inside]
Some more space music, a little majestic and melodic this time. [more inside]
Background hum that becomes a melodious, multi-layered trip [more inside]
A big ol' composition kind of song. Just a little bit like "post-rock" I guess. As before but this time with multiple takes, stereo, and fun little stuff scattered all around. It's also my first project using Logic Pro, which seems to rock
The song started as a very simple guitar progression and evolved from there. I love the sound of crickets, frogs, locusts, rain, thunder, etc. Nature in general. So I found some sound clips, added some more guitar, an oboe here, a drum fill there, and there it is. Simple and relaxing.
Only tangentially related to the theme of the challenge, but my testing audience thought the song sounded like ripples, and that seemed like enough (plus it motivated me to finish sooner than I might have!).
A pop-rock song about bypassing the supermodels and going straight for the solid girls. Tried to write it catchy, melodic and rockin. Feedback would be much appreciated.
A quiet, melodic guitar piece I wrote and recorded with the band I had in high school. I tend towards complex rhythms and harmonies these days; this song reminds me how simple (though not simplistic, I hope!) my songwriting used to be.
This is off of my album "Long Story," recorded in summer 1999. It's instrumental acoustic guitar, with some Spanish guitar touches. If you like it, let me know, and I can post other parts of the album. It starts and finishes a bit abruptly because, on the album, each song musically runs into the next.
I'm working on a collection of songs of various genres for a concept album about life in a ruined West Coast city sometime in the future. This song is a demo track of a melodic industrial / rock tune about an oppressed group lashing out.