A rough demo mix of a new tune I’ve been working on for a loose band project called The Wishing Well Divers. This particular recording is an experiment in recording and producing only on an iPhone and was recorded, mixed, and mastered in a day or so using only my phone, my voice, and an acoustic guitar and bass. [more inside]
I made this upbeat, major-key, low-fi-sounding jam entirely on my OP-1, the same gizmo used in these videos. The transitions aren't as good as they could be, but they're definitely a level up for me. The whole thing falls apart at the end in a glorious heap. A good LET'S GO OUTSIDE AND PLAY instrumental. [more inside]
A quick and scarcely rehearsed lofi recording of my take on the classic folk standard/gospel/African American spiritual, with an overdubbed chorus and acoustic guitar.
I had a great time collaborating with billiebee on a cover of this traditional folk song/sea shanty. The goal was to record a simple arrangement that was different from the more lively covers out there -- to borrow billiebee's phrase, a gentler version. I'm hoping our rendition highlights the lovely melody of the song. [more inside]
This is a really rough early home studio demo of a song in development for my new recording project, The Wishing Well Divers' "Tragicomic Americana." Ironically, just as I've been working on this song, which thematically concerns stigmitization and marginalization, and well, being face down on the floor, I had a health scare last night that left me literally face down on the bathroom floor for a half hour. I've got no job, health insurance, family support, or cash cushion right now, so this song has taken on new personal meanings for me just since I started recording it a couple of days ago, with new worries about health problems and their potential to make it harder to find work and insurance. [more inside]
Demo of a punk song about my kid. [more inside]
A fast and dirty lofi cover of a beautiful song originally by Crooked Fingers that's meant a lot of different things to me at different times in life. [more inside]
Yesterday I sat down behind the old Roland VR drum kit I passed down to my son at Christmas this year to adjust the hardware and give the set up a test run. I recorded a quick video of myself improvising a little groove, but later in the evening, I couldn't help myself and came back to the recording and used a free multitracking app on my phone to record some ridiculous overdubs. The sound quality is awful, of course, but this was a lot of fun to make and really helped me keep my spirits up yesterday on coronation day. [more inside]
I made a really janky demo of a dumb pop punk song I wrote years ago and then a friend of mine laid down drums for it [more inside]
In the past couple of weeks, I found myself going back to a piece that I'd started working on a few years ago -- probably because it's in a slower triple meter that's somewhat calming for me. This is a condensed one-minute version, featuring piano and guitar, for the 60 Seconds and Under #2 MeFi Music Challenge. [more inside]
Here's my submission (finally) for the assignment I got for the Great Raffle Request Challenge a few years back. The request: "Record a song (cover or original) on an instrument you don't really know how to play." This one's for Secretariat! [more inside]
This is a lo-fi demo of a new song I wrote recently. It was an experiment in seeing what I could sketch out with the least effort just using my phone. I doubled and harmonized with my own vocals in the chorus, but didn't have any multitracking software on my phone to do it, so I used a freeware app that let me record and mix a second vocal as input to the waveform of my original performance. [more inside]
About 24 years ago, between 1992--1995 or so, I played in a popular art rock band in Panama City, Florida, called Killing Darlings. An old friend recently gave me access to his stash of the lo-fi recordings we produced over the years with that band, and this is one of them. There's a longer playlist of recovered tracks over here on Sound Cloud. [more inside]
When Sonic Youth surprised the whole world by pulling off the most amazing cover of a song by The Carpenters ever (I couldn't really fathom listening to any of the originals, to tell the truth), who would've thought what a big impact their version of 'Superstar' would have had. Still to this day, this songs is constantly referenced whenever people speak about Sonic Youth. Here's presenting one track with a similar vibe. 'Back to You' by Ummagma [more inside]
A friend of mine lost her pet black rabbit recently. A conversation about it led to me digging out this old (c. 2007?) recording. [more inside]
Well, what you've really got here is 'Beautiful Moment' by Ummagma, which is a lofi acoustic/electronic blend with passionate and melodic male vocals and also 'Micro Macro', which begins in neo-ethno-folk territory but ends up with a burst of indietronica. To boot, here is Ummagma 'Lama (Irregular Disco Workers Remix)' to really throw a wrench in this acoustic lofi approach to making music :)
A psychedelic trance inspired by scrambled eggs and geometry. [more inside]
I recall watching John Waters movies in my teenage years and always thinking, THIS is the soundtrack to not only my but millions of people's teenage years. Well, this song is the soundtrack to a peaceful blissful moment, based on the moment when it was created, every time I hear it. Hope you will also enjoy.
If you are anything like me, you sit in awe during all the 'musical moments' laced throughout any Fellini film (music composed by Nino Rota). Combine that with the unexplainable excitement during those lively Balkan snippets of any memorable scene of most Emir Kusturica films… that is what this song feels like… to me anyways.
Tides and lilts, ebbs and flows. Something romantic, yet superfluous permeates 'River Town', with a spacious element opening up for sweepingly dreamy female vocals. At least that's how we see this Ummagma track. [more inside]
We once used to wonder what it would sound like to whip up a healthy feisty mix of dream pop and hip hop - rap and now, thanks to this tasty earbite, we have an idea. Definitely taking a walk on the dark side, underlined by both the music and vocals, this is still definitely worth the listen.
In the spirit of "Superstar" by legendary art-punk band Sonic Youth (who were covering The Carpenters chart-breaking track), here is 'Back to You'. Sonically similar, but content-wise very different. No superstar imagery from the perspective of a groupie here. Just some self-searching and hopefully grounding elements. [more inside]
There is such a thing as light-imbued melancholy. This song shows that @Ummagma is among a cozy handful of bands nowadays who seem to thrive on achieving that combination. You can find Ummagma here too. [more inside]
An old thing that's been sitting too long, I envision this as the music playing in your head when you've gone to bed, can't sleep, and have gotten back up and gone back to your workspace to crunch on that ONE odd thing that's been bugging you about your latest project. [more inside]
Song from 2010. I think this was the peak of my abilities in trying to make my whistling sound like some sort of saw/e-bow/loon combo. Identical guitar part to the end of my song Apfel Augen. Whistling with stairwell reverb, guitar, and a couple pulsing effects I added in a just-now-at-3am-we'll-see-what-it-sounds-like-in-the-morning fever.
A return to lo-fi, less-than-a-minute songs as my laptop mic coughs up its last breaths. New songs played with Ouds and recorded on nicer microphones coming soon! [more inside]
Oh shit. I lost the power supply to the br-532 in the move, so to be econimical i got a br-800 which arrived this week.. i recorded all this within the last 2 hours and about a half hour ago realized i had no idea how to get it off the damn thing. turns out it was the same way as the 532 but to make a short story short used the mixing on the 800 and um.. here we go.. straight off the br-800.. also played bass for the first time in 500 years
Lofi Computer stumbles on.
Another track from Lofi Computer. [more inside]
Here there be sludge. [more inside]
The epic second track off the Roddy's O-Face record. It's pretty hefty compared to the rest of the songs, so make sure you can handle a solid minute and forty five seconds. [more inside]
Sweet, I tracked down the opening track off Lofi Computer. [more inside]
In the six months they were together, Roddy's O-Face went through three bassists, the last of whom insisted on being called "The Colonel" at all times. This was a song about the town they were all going to high school in. [more inside]
Here's another Roddy's O-Face track off their Lofi Computer album! If I remember right, Ned wrote this one, and it's about his ex-girlfriend's cop dad and the time he drew a magic marker Hitler stache on her at a party when she passed out, or something like that. [more inside]
As recorded in Tom's mom's garage by the infamously unfamous punk ingenues Roddy's O-Face. From their first and only album, Lofi Computer. [more inside]
February Challenge - "What was the first single you ever bought?" [more inside]
mmHg says chill.
Lofi acoustic waltz version: piano, drums, harmonica, solo vox. The song adapts surprisingly to 3/4 time. [more inside]
See, I think about weird stuff. Like, what would happen if you combined Creed and (a really sloppy, tuneless version of) The Buzzcocks? Heh, well, you'd get the Creedcocks, wouldn't you? And you know, I think they might sound a little something like this... [more inside]
One of my favorite tunes from Hedwig and the Angry Inch, given the super lofi iPhone Fourtrack treatment. Guitar, melodica, piano, drums. [more inside]
Just playing around with an open C6 tuning, which always makes me think of Led Zeppelin.
This is a song from the batch I recorded when I recorded Cold Dip and It Could Always Be Early. It has an absolutely ludicrous number of tracks for a song that has nothing but guitars and harmony, and I feel the need to just release it and see how others react to it. [more inside]
A low fi version of the Stiff Little Fingers song that somehow feels appropriate for this New Year. [more inside]
Hard to believe, but I've been here 3 years and 3 days. So, I just got a bunch of my earliest recordings from my dad's computer so I thought I'd post this one from when I was 17 to mark the occasion. Creatively titled "Piano" because of the extended use various E keys on my mom's piano. Definitely wear headphones, secret bonus track at the end. [more inside]
The horns in this bouncy lo-fi surf-garage number? Synthesized. But the off-key backup vocals? They're real.
I had a few hours to myself this morning and wrote this song. [more inside]
Once again it's the Tomato Can Sanza (run through my trusty el-cheapo pitch shifter) in action, in another tune from my set at the 2010 Sengawa Jazz/Art Festival in Tokyo. Video at YouTube. [more inside]
A song from our band Thous & Thees [more inside]