I was feeling another bunch of unsettled feelings so I thought I better do another discordant, frustration-venting song. [more inside]
Very hesitant to let anyone hear this one. [more inside]
What might be the outcome of taking a rather dreamy pulse-based trance inducing track, stripping it back, adding an addictive disco electronic undertone and phasing ghost-like vocals here and there (and rather rare)…? Have a listen and then you will know :)
I thought I'd try to write something more upbeat. I couldn't think of a vocal melody so I just filled it with different guitar parts.
Powerful swirling and driving full sonic force, enveloped in a mishmash of postrock, shoegaze, and noise rock. [more inside]
just a rock song (instrumental). I played around a lot with some organs and synths but still guitar based overall...
Imagine a dream that entails a strange melange of light and dark and translate that into sonic form, albeit with angelic vocals. That is what this song represents. [more inside]
I was in a very heavy mood the night before last so I decided to write a heavy song. I don't think I've tried to write something quite like this before. [more inside]
Eastern European countries are home to remarkably sounding native folk music, and it is particularly welcome when any element, or even remnant, of that is mixed in with any form modern music. What a grande fusion it can be. That is what we feel happened with this song.
Another day, another song. Rock, indie, alternative, etc... A bit of hit and miss.. A bit of an experimental, weird intro. I was inspired by someone I once heard trying to play the guitar with a mallet. Some keyboards and organ are thrown in underneath (probably to try to make up for the lack of verse vocals!). I Also tried to throw in a vocal idea on the chorus here (written below) [more inside]
The Road to Nowhere? No, the road to somewhere magical and fantastic, enjoying every moment encountered on the way. That is the idea guiding this song and the windy change-ups and ambient indietronic delights emerging as the song progresses.
When you dig the original of a song so much that you can't imagine how anybody could possibly ever dissect it and re-embody it in an alternate format, sometimes you are pleasantly surprised when indeed someone comes along who capably does just that - with flair, good taste and a handful of cards up their sleeve, dealt ever so cleverly within the remix they have created. That's what we're talking about with this Sounds of Sputnik take on Ummagma's 'Lama'.
Tides and lilts, ebbs and flows. Something romantic, yet superfluous permeates 'River Town', with a spacious element opening up for sweepingly dreamy female vocals. At least that's how we see this Ummagma track. [more inside]
Instrumental. This was actually a song I wrote as early as 1993. I kind of stumbled on a really terrible recording of it from back then (you would not want to hear it, believe me), and I thought why not revisit it, so I jammed out some parts on the chord progression and eventually recorded this. [more inside]
In the spirit of "Superstar" by legendary art-punk band Sonic Youth (who were covering The Carpenters chart-breaking track), here is 'Back to You'. Sonically similar, but content-wise very different. No superstar imagery from the perspective of a groupie here. Just some self-searching and hopefully grounding elements. [more inside]
I got in a car crash about a month back. No one got hurt but it was still kind of scary (I had my 13 month old in the car and she was screaming and crying) and afterwards, it was really depressing/distressing. It was really hard to get to work and I couldn't go anywhere and then there's the money I had to borrow to fix the car. [more inside]
I wrote this song night before last because I haven't written much lately. No vocals because, my vocals would only make it worse. Really. But feel free to sing your own! [more inside]
Eastern Europe has long been known as a mysterious place when it comes to music, spanning multiple genres, including music with a particular ethno-folk component. This is one of those songs. Well done Ummagma. [more inside]
Actors are always celebrated for their chameleonic ability to change characters and roles. Ummagma possesses this quality, among a small number of shape-shifting bands currently out there. This song is very different from anything else created by Ummagma. Hope you enjoy this. [more inside]
Ethereal wave is what they call this genre, but you can definitely sense elements of early 4AD-era postpunk, darkwave, shoegaze and postpunk here. The mood is a bit heavier and there is an outpouring of philosophy, moral and emotional reaction. Enjoy! [more inside]
There is such a thing as light-imbued melancholy. This song shows that @Ummagma is among a cozy handful of bands nowadays who seem to thrive on achieving that combination. You can find Ummagma here too. [more inside]
The lyrics to this Ummagma song seem very timely considering what is happening in the world these days, with a bed of music that drums up intensity. You might particularly enjoy the ending.
I once herd the term "sound track for angels" and having Lisa Von H on vocals has certainly brought a sound track to reality!
Some songs take you on a trip (and bring you back), while others just send you drifting endlessly and blissfully. For us, this song belongs to the latter, building layers of layers of sound and effects - like new galaxies being opened. [more inside]
This is one Ummagma track that has been totally turned on it's head, taking what was a dreampop folkrock-ish track and utterly transforming it into an whirling electro-dance track with traces of vocals from Shauna McLarnon. One slight change from the previous version. [more inside]
This is one Ummagma track that has been totally turned on it's head, taking what was a dreampop folkrock-ish track and utterly transforming it into an whirling electro-dance track with traces of vocals from Shauna McLarnon. [more inside]
For decades now, I have been inspired by songs that make you think beyond just a lovely melody (hopefully they'd go hand in hand together). On that note, here's a song about unwinding and placing greater value in human relations (at a time when we so greatly need this).
If you ever thought that there was no place for a little drum n' bass in the world of shoegaze and dreampop, hopefully this song will prove you wrong :) Somewhat of a feel like Stereolab, Broadcast and Lush rolled into one. [more inside]
The pulsing drive of this tune unquestionably has a swaying effect and, taken together with this song's layers and subtleties seems to make all the difference. Sway sway sway!!! [more inside]
Alternative rock, indie, inspired by Radiohead although it took a different turn and doesn't sound that much like it anymore. [more inside]
When a band "dances" on the border between 6 or more musical genres and one of them happens to be progressive rock, the listener is often in for a delightful surprise. Hopefully this song qualifies as one of them. This is "Outside" by Ummagma. [more inside]
Imagine a carefree diva singing in a non-chalent way as she looks out the window of the passenger side during a road trip. The soundtrack to her ride is based on an indie rock slide-guitar laced tune, which builds in intensity throughout the ride until bang - confusion and collision. That is this Ummagma song in a nutshell, message and all. [more inside]
This instrumental explores not only ambiences and walls-of-sound seemingly inspired directly by cosmic travels, but also features electronics, samples, drones, and beautifully melodies peppered with a lot of dissonance, creating sonic tapestries perfectly suited for reflecting, reading an Arthur C. Clarke (or Isaac Asimov) book and taking a journey through the stars. This is Sounds of Sputnik.
Whispy male vocals and plenty of air for dream-weaving delicately frame this ethereal song. While "Photographer" is one of Ummagma's more melancholy songs, it's far from depressing. This one stands in the light. Features male vocals by Alexx Kretov (Ukraine).
Post-rock always seems embedded with the sense that something is dire; however, shake it up a bit to get a kind of post-rock indie shoegaze vinaigrette and Sounds of Sputnik is likely what you would come up with. This is Ambiguous Sense of the Future.
Soundscapes are part of the fabric for various genres of music and this song creates one merging several genres, yet is still hard to put your finger on.
This remix of the track "Lama" does not outright flip the original version on its head, though it does dress it in a murkier shade of darkgaze (darkwave). The bright dreamy element from the original version spills over into this version too, so as to not detract from the original point of this song in the first place. I hope you enjoy it. Your feedback is most welcome.
Indietronic ethno-ethereal fusion is how I would describe this Ummagma track, which is the first Ummagma song you've heard here with male vocals. I feel like this tune has a strong gypsy fusion lifeline running to it from some mysteriously brilliant source, call it what you will. :) Once again, any feedback is appreciated. We've also ventured into indietronic a little here.
A love for the golden 4AD era, Pink Floyd and the likes of David Sylvian have all been woven into the thread of this music. "Lama" was both inspired by these bands and reflects their contribution to a new generation of musicmakers. Looking forward, but knowing where our roots lie… I sincerely hope you will all enjoy this Ummagma track. [more inside]
It's funny how sometimes it takes all but a few minutes to write a song, while the development of another song can really stretch out. This was one of those stretches - "Risky" was a song that was written "in chunks" - the basic instrumental bit was written in Kyiv, Ukraine before a big move to western Ukraine and then to Canada, where the rest was written & recorded before finally being dragged back to Ukraine, where it was properly mixed and mastered. The time span from start to finish: 5 years. All that moving around was us, by the way, not just the tracks bouncing around in cyber space. Thus is the history of this track. I'm posting the lyrics too if anyone wants to have a go at them or "sing along" …. yeah, right… any feedback is welcome. Peace. [more inside]
From my new band, Flutes - a strange, psychedelic and folky Scottish tale that builds into an enormous freak-out! [more inside]
This song was recorded with my old band, Niche, 7 years ago. That's me as an angsty teenager, putting on my best impression of mid-90's alternative. [more inside]
Emotionally stunted sex addict bitches a bit.
The final track on our four-track demo EP. I posted a very early version of this a while back, but since then it's gone through quite a transformation. [more inside]
Track 3 on our four-track demo EP. This one was written, recorded and produced entirely by yours truly, at about six in the morning, with lots of coffee and other various enhancers. [more inside]
Track 2 of our four-track demo EP. [more inside]
Track 1 of our four-track demo EP. I shall be posting more in the future if this gets any kind of reception... [more inside]
A song my band and I are working on. Acoustic/electric standard upbeat pop rock/alt. Regrettably, we are not studio engineers and my friend is doing his best with Garage Band, which I, also regrettably, lack a copy of. [more inside]
This is a southern rock song about starting over, shedding your skin. It's my favorite song that I have ever recorded, and one of the first ones I ever recorded as well. [more inside]