Just having a play outside a couple summers ago
another improvised chord sesh on the acoustic guitar where I then overdubbed the other instruments!
Jangly pop instrumental track w/ simple guitar solo doing a few of the classic riffs!
A jazzy little instrumental tune I wrote years ago for a school class assignment. I recorded this version for the audio track of a video in my ongoing Patchouli Project series (see MeFi Projects page for links to the videos.)
An instrumental song sketch from a couple of years ago. [more inside]
Here is an unused overture for "Legends Of The Magi, A Christmas Rock Opera" - six songs done in collaboration with eight musicians (bass, cello, violin, keys, vocals). [more inside]
Another song from my early 20s. Going through some old files and finding some stuff that I hope is worth posting on here. I will try
Franz Joseph Haydn [more inside]
Music: Arthur Kent Lyrics: Sylvia Dee Originally Recorded by: Skeeter Davis [more inside]
I've briefly interluded from my normal style of electronica music in order to focus more on a sort of indie rock sound, because clearly we need more of that totally not done-to-death genre, right? I'd appreciate any feedback, though, as I have a hard time being objective and either love or hate most of my creative output. I've also included an impromptu creative writing piece inspired by the general idea in my head I had for this song. Details inside, yada yada. [more inside]
Piano improvisation based on the initial riff that eventually goes into a groove section which I loop and add bass/drums. And then there is an outtro part after the groove with a cheeky solo on the fretless bass.
Exclusive to MeFi music, Snowdrifts as originally recorded! From Where The Trail Leads. [more inside]
Another IDM travelogue inspired by the remote land arrows of the Transcontinental Airway System. Music for dancing, thinking, or especially (if you have the means) driving.
The title song from my new online-only album Where The Trail Leads. Stream or downlaod for free. [more inside]
An old instrumental jam from when I lived on the island. I think this is from around 2013.
I've spent an agonizing 11 days dialing this one to perfection. Another bumper that hearkens back to my high school days, when a song couldn't possibly have enough rhythm tracks. Suitable for all your living-room silent discos.
An entry in the April/May MeFiMusicChallenge, inspired by the pandemic. Instrumental, chill track. [more inside]
A bit of Four Tet meets '90s house, with a sideways glance to Laurie Anderson. Inspiration. Recorded for my new monthly subscription music project, Faulty Machine Recordings Service.
This is the first track from my album Rituals. It's an instrumental. I make vocal music primarily, and the two instrumentals on this album ("Full" and "Fugue") are the first two instrumentals I've produced. [more inside]
Part three of three - with real drums! [more inside]
Instrumental electronic thingy continued. [more inside]
Cheeky mandolin feature. Instrumental. Had to call it something.
Not a Donald Fagen cover, alas, but a moody slice of danceable IDM in the early-'90s style. Recorded for my new monthly subscription music project, Faulty Machine Recordings Service.
In honor of Clyde Davenport, who passed away this week at the age of 98, one of the fiddle tunes he played, although not particularly in his style. [more inside]
An ambient/drone piece from my newly released album Float (pay-what-you-want on Bandcamp). I'm breaking a habit of expressing anxiety and foreboding through my music, and aiming to spread some tranquility and wonder instead. [more inside]
A short (1:27) original piece of me on solo piano. It's a reworking / different arrangement of a previous tune I posted, which was piano & guitar. This is a slightly different take on rhythm and melody -- more of a contemplative feeling, and still reflective and reassuring (I hope). Happy new year, MetaFilter! [more inside]
Part I of The Last Baseball Game is meant to be the song they play before the game, as an intro. This is meant to be the post-game epilogue 'final farewell' kinda number. I meant to do a fadeout at the end, but I forgot, so the track just sort of plays out. I figured I might as well just leave it like that.
An upbeat instrumental piece. [more inside]
An autumnal fingerpickin' instrumental.
Takin a pass at this classic old time fiddle tune by Garry Harrison! Followed by a little acoustic guitar postlude, and then the neighbourhood cat shows up at the very end.
We have a Prophet-6 at work right now and I just found out that the sequencer is polyphonic. Programmed a chordy little loop and messed around with it a bit while grabbing it on my H2. Hope you enjoy the pure, unaccompanied sound of this gorgeous synthesizer!
Instrumental piece I recorded for the Short, "These Few Hours".
This short (1:16) instrumental ditty is what happened when I started learning a new recording platform that came with loops of instruments I'd always wanted to play or include on my recordings: pedal steel guitar (I was super excited about this especially -- I've wanted to work with pedal steel for a really long time), baritone guitar, and mandolin. And did I mention the bossa drums? Not sure if I went overboard but I had fun and liked the result. [more inside]
Just having a play on my day off
I'm fairly sure when I picked up my guitar tonight I only intended to practise for a bit, not make a short garage instrumental called The Counterforce, yet here we are. [more inside]
There's a song with words and stuff that this was originally based on, but I like the instrumental version better. Mellow, textured, haunting, builds slowly. What do you think?
I recently recorded this soundtrack for the short "Inhumane". I have linked the video below if watching the finished product is more your speed. let me know what you think.
Featuring Carlos Najar on guitar and your homeboy carrotadventure on synths and drum machine. In this upbeat improv jam I am playing the Roland GAIA synth for chords and the Korg Monologue for bass. Also operating the Roland TR-8 for beats.
From the new Yabra EP!
A psuedo-guitar-like ambient song performed on modular synthesizer. This is the third track on my new release Nereus, available on Bandcamp. [more inside]
I've always known "Black and White" as a fiddle rag, but it turns out it was composed for piano in 1908. When I was a kid, it was one of about a dozen tunes my dad and I played together (over, and over, and over) with him on guitar and me on fiddle. In a total coincidence (no, really) my band decided to record it for our upcoming album “High on the Hog”. I never played it quite like that with my dad, but looking back it's fun to imagine I was practicing for this. [more inside]
A short improvisation for polyphonic synthesizer and 16-step sequencer
Guitar solo. Been listening to some Red House Painters.
Deep and brooding delays and saturated distortion galore with epic resolve. [more inside]
Short recording of me playing the chorus of "Auld Lang Syne" on bar chimes. Bonus background vocals by crickets outside. Total running time: 51 seconds. Happy new year, MeFi! [more inside]
Another tune from the Black Ox project a friend and I wrote and recorded.
This is a piece I recorded for a silent short comprised of Public Domain footage from 1936 taken from the Prelinger Archives. let me know if you'd like me to share the video.
A piece I wrote and recorded with a friend as part of an instrumental post-rock project.
Impossible Bookings is a collaboration I kinda sorta foisted upon cicadaverse, who initially posted the instrumental version of this track 6 months ago. I put words to what he'd created, we each reworked what we had into shorter form, he remixed my vocals and added to the instrumentation...then life happened to us both. We caught up recently after a few months off, remastered it, and called it good. [more inside]
Henry King's Reel, a fiddle tune written by Trevor Stuart of Haywood County, North Carolina. [more inside]