Did not wake up this morning expecting to record a Britney Spears song.
Here's another cover, this time it's CCR's anti-war/anti-classist classic. We slowed it down quite a bit and changed the rhythm to a lazy shuffle lilt. Took it to the swamp a little. Added a bridge, too, which the song kinda cried out for, I thought. Once again, brought to you by Covid-19's insistence that me and my musical partner not play in the same room, but still play together, you know, live and all. Video of this performance at YT here. [more inside]
Another request from my three-year-old grandson, this is Elle King's "The Let Go." Video.
Another cover tune, brought to you by remote recording: two guys in their socially distanced rooms making music together. This one isn't a tune I would've leapt on to do as a cover, but... it was a request! And being essentially a show biz animal eager to please, I decided to do my entertainerly duty and give it my best shot. Video of the performance (zoom zoom zoom) is at YT here. [more inside]
Cover of the Yvonne Elliman song. [more inside]
This moving song by Mary Gauthier is one of my favorites. Everyone needs mercy. Video.
The Cat Stevens classic is a favorite of my grandson, so I recorded it for him.
2020 has been a hell of a decade, and George Harrison's classic is a great expression of relief over the election outcome. Acoustic guitar, recorded on iPad Pro. Video.
Spooky music for a spooky night. Lossy video here.
The Procol Harum song on solo acoustic guitar and voice. Recorded as an iPad Pro video, reverb added with MicSwap Video Pro, then exported as audio. Fifth take, as evidenced by the exasperated opening.
I've been playing around with a different feel for this Michael Nesmith classic. Recorded on iPad Pro, first take, rough vocal.
Music: Arthur Kent Lyrics: Sylvia Dee Originally Recorded by: Skeeter Davis [more inside]
More microKORG experimentation, this time a Gillian Welch cover. I've finally gotten around to listening to this album recently, and a lot; it's really latching on to me. The title track is gorgeous and where I can't match Welch's vocals I can get weird instead, so: vocoder time. [more inside]
Almost a cover, but not really.
Thought I was writing my own song with these chords today, but realized I had stumbled on everything i wanted, and decided to embrace it.
I've been playing with armoured-ant's excellent Hey It's Okay, and I liked this little short version.
A different draft of the song rangefinder 1.4 introduced me to, having been given her basic tracks and having added my noodling. This is the one with the piano. And the kitchen sink. [more inside]
I’ve been working on a musical collaboration with a fellow musician friend of mine during these crazy coronavirus times, in hopes of generating something fun and creative while we have all this spare time not working or gigging. Here's the second song from that collaboration.
I’ve been working on a musical collaboration with a fellow musician friend of mine during these crazy coronavirus times, in hopes of generating something fun and creative while we have all this spare time not working or gigging. Here's the first song from that collaboration. [more inside]
I've been listening to this song a lot recently, and admire Russell's sort of ambiguity. Featuring authentic San Francisco rain and street noise.
This is my synth-based anthem cover of the song by singer/songwriter Danny Schmidt. This version is an earlier draft from 2018, mostly from a whirlwind month when I was trying to get as much done before my trial of Ableton Live ended. Me on vocals, synth/loops. Many thanks to not_on_display for the arrangement idea and feedback through multiple iterations. Basically I made this to help myself feel better, and I figure it's something I could share especially now. [more inside]
You know how you were thinking the other day "I really love Nine Inch Nails, but I'd really love Nine Inch Nails if they were Sufjan Stevens" Yeah, me too. Also for the first time shot video as I was recording.
A hushed but nonetheless exuberant take on a very good song from They Might Be Giants' album "Flood," recorded at my kitchen table [more inside]
The first track I've finished in a project of doing ska covers of The Band songs [more inside]
Very late to the game on this, but here's a cheeky contribution to the Kate Bush challenge :D
Some recent discussion on MeFi about the band a-ha reminded me that I'd recorded this acoustic cover of one of their songs a long time ago. This is actually based on an arrangement by Kings of Convenience, who made some interesting changes to the original song structure. Me on vocals and guitars (nylon-string and steel-string). [more inside]
Acoustic guitar and voice. Pretty straight as far as my memory of the proper song goes. [more inside]
A multi-tracked violin sketch/tiny cover of an excellent song by Lil Nas X that I can't get out of my head.
A cast-off 30-second demo of a Christmas tune you might recognize. [more inside]
I had the drums and amp mic'ed up anyway, so I decided to lay down this track from Moana.
Cover of this beautiful song by Sibylle Baier. Guitalele, flute/clarinet/marimba/wurlitzer piano synths. [more inside]
björk cover [more inside]
I'm happy to present my collaboration with not_on_display: this is our version of a neat little tune that was included in The American Songbag (a 1927 folk song collection by Carl Sandburg); the song there was itself derived from a late 19th-century song by William S. Hays. [more inside]
This is my take on a song by one of the hosts of [dopey podcast](http://dopeypodcast.com), the one they close out every episode with. Came out kinda like a ska tune somehow. Got my daughters doing a little background vox.
If you know of him, you may have an opinion that Daniel Johnston is a outsider genius, a troubled victim of hipster exploitation, or simply a not-so-typical independent musician who found his audience. If nothing else, his work is irrefutably full of sincerity and emotion. This little piece of his is one of the great American songs. [more inside]
I had a great time collaborating with billiebee on a cover of this traditional folk song/sea shanty. The goal was to record a simple arrangement that was different from the more lively covers out there -- to borrow billiebee's phrase, a gentler version. I'm hoping our rendition highlights the lovely melody of the song. [more inside]
I have a cheap, cruddy second-hand drum kit and a two-year-old. [more inside]
Written by Gram Parsons and originally recorded by the Flying Burrito Brothers in 1969. It's one of our favorites and is just as relevant today as ever so here we (Corwin Bolt & the Wingnuts) are. [more inside]
...you do what you can, though! goddamnit! [more inside]
What scares me? Playing music in front of other people, that's what! So here, for my MeFi music debut, is a slow jam to one of the greatest sitcom closing theme songs ever. [more inside]
Q: What scares you? A: Freddy Kruger [more inside]
It turns out that once you start making honkcore tracks, it's hard to stop. [more inside]
[Cover] Sentimental and simple, but a good reminder of what matters. [more inside]
Who is more foolish, the fool who requests a honkcore version of "Sir Duke," or the fool who fills the request? [more inside]
Sat down yesterday with my new uke, at a beach on the west cost of the Big Island, to revisit my Cohen/Elvis parody from several years ago.
This is a cover of a song my dad wrote (that I actually found via combing through his post history on Metafilter after he died) [more inside]
Featuring the voice of greenish as the Computer. I thought it would be fun to do it slower, using mostly analog instruments and a computer to record it, in juxtaposition to how Kraftwerk originally recorded it in 1981 (using computer instruments and I'm guessing analog tape). Also I was feverish with Lyme Disease while I recorded it. Song #11 in Unu Kanto Po Semajno.