Another song from my early 20s. Going through some old files and finding some stuff that I hope is worth posting on here. I will try
An older one. Circa 2008
Franz Joseph Haydn [more inside]
More microKORG experimentation, this time a Gillian Welch cover. I've finally gotten around to listening to this album recently, and a lot; it's really latching on to me. The title track is gorgeous and where I can't match Welch's vocals I can get weird instead, so: vocoder time. [more inside]
This was a sort of contemplative outro track for an album I released on Soundcloud earlier this year. The highlight is probably the delightfully warbly horn synth I stumbled across that did a decent job of filling out the song's character with its wandering melody.
A short improvisation on the Roland JD-XA synthesizer using the 4-voice analog synth engine w/ arpeggiator and its wonderful filters!
After coveting the things for 15+ years I finally went and bought a microKORG synth/vocoder from a person in town who was selling it slightly used for cheaper. I have been playing with it all morning and here is an attempt to put several pieces together in a hastily improvised song. [more inside]
Exclusive to MeFi music, Snowdrifts as originally recorded! From Where The Trail Leads. [more inside]
The title song from my new online-only album Where The Trail Leads. Stream or downlaod for free. [more inside]
This is my synth-based anthem cover of the song by singer/songwriter Danny Schmidt. This version is an earlier draft from 2018, mostly from a whirlwind month when I was trying to get as much done before my trial of Ableton Live ended. Me on vocals, synth/loops. Many thanks to not_on_display for the arrangement idea and feedback through multiple iterations. Basically I made this to help myself feel better, and I figure it's something I could share especially now. [more inside]
Abstract spacey synth doodle. [more inside]
This song is a short instrumental. [more inside]
Also electronics + piano. A bit more pianistic and melodic; more "pretty" than "driven."
Electronics + Piano. Lots of harmonic and rhythmic drive.
Moody, somewhat retro instrumental for synths and bass. [more inside]
A simple pop song for synth, drum machine and vocoder. Featuring another cheeky sequence from the Prophet-6! [more inside]
We have a Prophet-6 at work right now and I just found out that the sequencer is polyphonic. Programmed a chordy little loop and messed around with it a bit while grabbing it on my H2. Hope you enjoy the pure, unaccompanied sound of this gorgeous synthesizer!
vocodin' [more inside]
Instrumental piece I recorded for the Short, "These Few Hours".
"I can't do anything without thinking about you next"
Just having a play on my day off
Finally taking the full rig for a proper spin again!
Fanfare for the common synth
There's a song with words and stuff that this was originally based on, but I like the instrumental version better. Mellow, textured, haunting, builds slowly. What do you think?
Recently got a Teenage Engineering OP-1 and this is a first attempt to put the 4-track through it's paces. It's a noisy little thing, extremely digital. In addition decided to put this together without any sequencers so the rhythms are... inconsistent. This is straight out of the device, no additional processing.
I recently recorded this soundtrack for the short "Inhumane". I have linked the video below if watching the finished product is more your speed. let me know what you think.
A psuedo-guitar-like ambient song performed on modular synthesizer. This is the third track on my new release Nereus, available on Bandcamp. [more inside]
A short improvisation for polyphonic synthesizer and 16-step sequencer
Building a beat around an organ loop [more inside]
Featuring the Line 6 M9 providing a little bit of chorus, delay and reverb... and the old classic, the Line 6 POD providing the 'amp'. Full Line 6 rig today.
I know the 2107 eclipse over the U.S. has come and gone, but hey, there's always another one. [more inside]
Digging back into some old ambient/noise/drone ideas. Synth, guitar, and bowed cymbal. [more inside]
Punk, metal, jazz, slack, folk and noise. This pretty much typifies the grab bag that was my band, Big Ghost. Like trying to get Pavement and RHCP to agree on California rock. It's a mess, but it was our kinda mess. [more inside]
A synthy jam about the magic of summer, youth and minivans.
A short instrumental piece (featuring synth) in which I basically have fun building from a loop. This is my entry for the MeFi Music challenge to submit music inspired by a MeFi post (I Saw This Thing On The Blue And...). Credit actually goes to three MetaFilter-related posts from last month: two MeFi posts by not_on_display and one MeFi Music post by ignignokt; they inspired me to create electronic music again after a decade+ hiatus. [more inside]
A tribute to the ancient hidden source of all cold seas and those that watch over it. With vocals by my friend who sings in an actual early music choir! It's also got square waves, organs, and sometimes ambiguous chords.
Quick song recorded this morning on Music Memo with (automatically added) bass and drums, and some synthesizers and (fair warning) voice-cracking singing. [more inside]
This is meant to evoke being chased at night in a 1970s city. [more inside]
An upbeat ditty about falling in love, blah blah blah. Cobbled together during my currently-on-hiatus 52 weeks project. Inspired by Holiday-era Magnetic Fields. [more inside]
I wrote this on a train going into the city. [more inside]
The bones of this song were a proposal for a corporate jingle I was writing... [more inside]
just havin a play
So this is another song, audio is taken directly from the youtube video here. This is a live performance, did a session in the lighting hire and install company I work for over the weekend. This video forms part of a competition entry for our band. [more inside]
Piano, guitars and drum Instrumental, some unresolved tension. [more inside]
Something fairly new. This is two of us playing live, me on bass and singing, and synth and drum machine from Magnus. [more inside]
Based on the John Maus version of Molly Nilsson's original.