I was in a very heavy mood the night before last so I decided to write a heavy song. I don't think I've tried to write something quite like this before. [more inside]
Instrumental rock I recorded a while ago. [more inside]
From my new (free!) EP 'Part Time Drum Machine', this is an instrumental keyboard-based track driven forward by a cheap synth bass and Casio-ish beats. A different kind of style than you may have heard from me before. [more inside]
Instrumental. This was actually a song I wrote as early as 1993. I kind of stumbled on a really terrible recording of it from back then (you would not want to hear it, believe me), and I thought why not revisit it, so I jammed out some parts on the chord progression and eventually recorded this. [more inside]
instrumental, guitar rock. I had fun writing this one a few months back.
I got in a car crash about a month back. No one got hurt but it was still kind of scary (I had my 13 month old in the car and she was screaming and crying) and afterwards, it was really depressing/distressing. It was really hard to get to work and I couldn't go anywhere and then there's the money I had to borrow to fix the car. [more inside]
I wrote this song night before last because I haven't written much lately. No vocals because, my vocals would only make it worse. Really. But feel free to sing your own! [more inside]
Solo stroke style arrangement on a fretless minstrel banjo. Another quickie from Briggs Banjo Instructor, 1855.
Instrumental on fretless minstrel style banjo, played more or less as arranged by Phil Rice in his 1858 banjo instructor. [more inside]
A mellow electronic instrumental from the vaults.
A demo from a project of mine called The Phone Calls. This will be on the next record [more inside]
Punky instrumental surf rock in the vein of Man or Astro-Man? (with stylophone!) [more inside]
A full year of the stock market translated into a reggae song of sorts, to go along with an animated data visualization I created. [more inside]
This track makes it a lot easier to imagine how the classical work of J.S. Bach could be meshed into a dreampop track, something that is rarely seen or at least, that is rarely pulled off well (The Verve and The Farm come to mind as other successful cases of this happening). [more inside]
Some songs take you on a trip (and bring you back), while others just send you drifting endlessly and blissfully. For us, this song belongs to the latter, building layers of layers of sound and effects - like new galaxies being opened. [more inside]
...cuts like harp strings.
An electronica track (possibly describable as “techno”) I created in one day for the 20th Project. It starts with a kick/hi-hat (and later a snare) as well as synth bass and lead lines; the track itself is in 7/4 time. [more inside]
Jazzy electronic instrumental. [more inside]
Based on The World Famous' challenge idea in this thread, to make a song using only one note. [more inside]
Hard rockin' instrumental inspired by driving cars fast with riffs to match the machinery. [more inside]
instrumental prog/hard rock tune recorded and mixed in my home studio, myself on guitar [more inside]
More experimentation with synths and fx. [more inside]
Ambient instrumental piece. It's a rather ambient dialog between the guitar and a bell-like sine synth. Long pauses. Slow paced. Throughout my life, one of my constant joys was always watching the sun go down. I've seen so many variations of this event that I wanted to express a condensation of the variety and bittersweetness of all those sunsets. [more inside]
The pulsing drive of this tune unquestionably has a swaying effect and, taken together with this song's layers and subtleties seems to make all the difference. Sway sway sway!!! [more inside]
If you let your imagination drift towards southeastern Europe, somewhere wedged between Fellini's Italy and Emir Kusturica's Balkans, and then you put such wanderings into a soundtrack, this is likely what you would end up with - Balkanofellini :) [more inside]
If you were to roll up some element of Brian Eno, Robert Fripp and Bill Nelson, and paint it with a slight shoegaze ethereal hue, this might be what you would get… Enjoy this Ummagma track! [more inside]
For anyone who loves Tortoise and especially the fired up drive of their first two albums, or maybe Sputniks Down, you will likely love an ear-scoop of this Ummagma track. [more inside]
I had a bit of fun with this: it's about a relationship gone wrong. I believe that the dual bass part is rhythmically interesting. Double bass and synth bass rhythmically intertwine and are coupled with a synth trumpet. There may be some Brian Eno influences a la The Drop. My album is available for $5 download at CD Baby: The Dividing Range. http://www.cdbaby.com/cd/theseedsofautumn
This instrumental explores not only ambiences and walls-of-sound seemingly inspired directly by cosmic travels, but also features electronics, samples, drones, and beautifully melodies peppered with a lot of dissonance, creating sonic tapestries perfectly suited for reflecting, reading an Arthur C. Clarke (or Isaac Asimov) book and taking a journey through the stars. This is Sounds of Sputnik.
The smooth fusion of dream pop and shoegaze is always something I welcome and a goal that is always in sight in the case of this song by Sounds of Sputnik - perhaps this is what is meant by the term nugaze - somewhat of a reshaping of the heavier dirtier shoegaze sounds dating back to the early 1990s a la My Bloody Valentine and Medicine. This reminds of of some of Kevin Shields' lighter work that he's done for various soundtracks. How do you see it?
Space rock is a term that is often over-used for various psychrock tunes, but it is dead on for this track from Sounds of Sputnik. Or space post-rock or even space post-rock shoegaze. Looking forward to your take on that.
Sometimes you write something, and then forget you've written it, and then find it again while cleaning your computer. [more inside]
Post-rock always seems embedded with the sense that something is dire; however, shake it up a bit to get a kind of post-rock indie shoegaze vinaigrette and Sounds of Sputnik is likely what you would come up with. This is Ambiguous Sense of the Future.
"Titry" translates into English as "credits", as in for a film. It was inspired by the idea that this would make a great intro or outro song for the listing of film credits, whether or not we actually decided to pitch the song for that purpose. Maybe we will one day :)
Soundscapes are part of the fabric for various genres of music and this song creates one merging several genres, yet is still hard to put your finger on.
Inspired by the great man himself - J.S. Bach - this song presents a modern interpretation, stemming into interpretation, of this great piece. By Ummagma [more inside]
The shoegaze scene is really abuzz this year with so much good music out there, the new MBV album and Medicine's reunion. This song vibes in this same department - it's an instrumental with lots of reverb. What do you think of this track?
Here I attempted to make a piece that tells a kind of story. I'm pretty pleased with this one, though it definitely sounds at its best played through actual speakers. If you're listening to this on a laptop or through headphones it's a bit anodyne. [more inside]
Short, jazzy instrumental song. Just two parts that felt right together. The song is named after the final chord. And STTNG. [more inside]
Past Lives: I. Where's Judi? II. Bitch Vicki III. Getting Past Nobody
So I was reviewing my song posting history and realized most of my stuff is kind grim. Thought it would be fun to try something a little happier. [more inside]
A semi-instrumental song given a second life after a decade in the demo wilderness. [more inside]
Out-tyrannizes; formularizes josef gospel.
Just some instrumental rock I've had kicking around for awhile. Not much to it.
Practicing writing with legato patches on LASS. A sappy cue for a nostalgiac movie scene. [more inside]
first bit of my late-start album month album
Something about bridges or something [more inside]
Chip tunes + samples instrumental for fun. [more inside]
I've always liked how for a time, rather than having something play over the PA, Sepultura had their own intro that they stood in the dark playing as the lights came up. I think of this as my own intro and have been using it to pump myself up for various onerous tasks today.
another stab at the July/Aug challenge. [more inside]