Still lost somewhere in the House of C. [more inside]
I went to Bonnaroo and all I got was a sunburn and a demo of this song. [more inside]
High-energy synths and percussion with intertwining, anthemic melodies. (My love of Rush probably shows but it's a pretty straightforward tune.)
Got inspired by hearing the Los Lobos cover of the song on KUVO and liked it so much I cut a demo. [more inside]
I get no sunlight at all in the winter, at my job, so the day when 5pm includes ANY sunlight at all is a big day for me.
At the beginning of 2019, one of my then-bands Buzzie began to record an album with Robert Harrison of Cotton Mather in the production chair. [more inside]
Straight-ahead robot rocker? [more inside]
A little dream-pop number about being transfeminine. Written with my usual collaboratrix. [more inside]
Low fi chicken [more inside]
Sort of a low-fi midwestern rock thing. [more inside]
Pretty Hate Machine style b a n g e r. [more inside]
#3 song for FAWM 2022. Tip of the hat to Exiting The Vampire Castle for inspiring the title. This one's about cancellation, and the toxicity of the queer community. Thankfully for all of us, neither of those things exist. [more inside]
This is the second of my FAWM 2022 pieces. Kind of a doom/prog/folk thing. Witch rock. Momcore. [more inside]
I'm doing February Album Writing Month, or FAWM. My music career has been mostly as a bassist and engineer. I play a ton of instruments. But I never really wrote songs. Once in a blue moon when inspired. But I wrote one in six hours tonight. Tracking vocals and guitar feedback tomorrow. But here's the instrumental version, because I'm too excited not to post it anywhere. Is it a masterpiece? No. Is it good? No. But I had zero inspiration and dug in anyway. And I made something! So go me.
I sort of learned how to fade out a song on LogicPro. [more inside]
still trying to learn how to sing. maybe someday. [more inside]
Instrumental: bass, guitars, drum machine, arpeggiator. Sort of industrial at times.
been trying to record some vocals lately which of course meant trying to figure out what the melody and lyrics would even be so I did an improv vocal session and then repeated the best of it 3 or 4 times and did a rough mix. [more inside]
I got a new microphone to replace my old defunct one. It's nothing special but I had to test it out right away. What I learned is I'm going to want a pop-filter probably. [more inside]
I wrote and recorded this one today. It's not what I expected it to be but it's track number 12 and so I'll stop here and try to write some lyrics and record some vocals next week and hopefully make an album.
This is probably the third iteration of this song. No vocals yet. I'm not sure I like it, but I'm trying to hone it nonetheless.
I'm working on this album concept where the earth's orbit has changed bringing cataclysmic changes to the the environment and season, ultimately bring about the extinction of mankind. This is sort of a nod to climate change but with a more dramatic, science-fiction narrative to emphasize and accelerate the outcome... [more inside]
I'm not sure what kind of album I'm trying to make. My emotions seem to be at conflict. [more inside]
Another song I recorded lately. Instrumental for now but I think I can add some gothic vibe vocals to this one.
Simple instrumental. Guitar, bass, programmed drums and keys.
The 2nd track on my latest album (also posted over at Projects.) A pandemic project, of all original music by myself & my partner, Molly Doris-Pierce. This one is a bit of a favorite of mine. Vocals, guitar, organ, bass guitar, drums.
A slice of stompy psych-rock with plentiful tambourines and rich, undulating waves of FUZZ. I also made a video featuring my glove puppet and alter-ego Fluffy, if you want the full gesamskunstwerk 'sperience.
Blaseball is on siesta, so I took the opportunity to write this tribute to the Kansas City Breath Mints' favorite pitcher: a dirtbag lich who loves to vape, drink Four Loko and throw walks. [more inside]
A tribute to Blaseball player Sutton Picklestein, who was offered resurrection at a terrible price, and said "No thank you." [more inside]
"So who are we but stories And who's truth be told?"
Chance. [more inside]
The price of your ambivalence is ready if you wanna come and see.
I was working on songs for my Microvague project and really just wanted to make something to use the phrase "Long Cool", so this is what came out of it...
Ambient instrumental. Just bass + guitar.
I've briefly interluded from my normal style of electronica music in order to focus more on a sort of indie rock sound, because clearly we need more of that totally not done-to-death genre, right? I'd appreciate any feedback, though, as I have a hard time being objective and either love or hate most of my creative output. I've also included an impromptu creative writing piece inspired by the general idea in my head I had for this song. Details inside, yada yada. [more inside]
Post-rock instrumental. Guitar, bass, programmed drums.
Well, here's a rock song I made. I'm not good at descriptions. The rest of the ep is various places as 'Microvague'. [more inside]
Rock song about a pizza buffet [more inside]
Nasty, brutish and short [more inside]
In the spirit of perpetually re-arranging and re-recording our songs, 'Received Wisdom' has now evolved into this rather sleek beast. [more inside]
The first track I've finished in a project of doing ska covers of The Band songs [more inside]
A jaunty (for us) Carbon 7 number from last August. I was making notes on my phone of little snippets of conversation to use as song titles. No clue how we got there, but it seemed hilarious at the time. Utterly improvisational. [more inside]
I've posted a few old Hurlo Thrumbo songs here before -- this is an unfinished project from mere weeks before we broke up. Rough mix, rescued from 24 track 2-inch tape, scratch vox. [more inside]
I just wanna nest; I cannot find a nest now [more inside]
This is a "reconstruction" of my most popular song, "Nothing but the Rain," that came out last fall. Formerly a more mellow folksy song, the vocals are different and there is more energetic instrumentation. Can be found in all the usual digital places (Spotify, iTunes, Soundcloud, etc.) under my name "MK Ellison." Enjoy!
It's been a while but I'm back with an evolving sound (and a changing voice). My new "official" single, "Time," is a midtempo, mysterious, moody alternative rock song with rich vocals. [more inside]
There may be historical inaccuracies. More of the same from a 90s bedroom. [more inside]
One man band home recording from the 90s. [more inside]
I think I wrote and recorded a Gin Blossoms song? I'm pretty happy with how it came out, but I don't know if I can take any credit. This is just me channeling the 90s. I guess I should ask for advice about how to manage the ceilings when using limiters. (more inside) [more inside]